Chapter 4
[Footnote 2: This last phrase is not in the copy before me, but in Marx's _Biography_, who appears to have seen the original.]
20.
TO KAPELLMEISTER HOFMEISTER.
Vienna, Jan. 15 (or thereabouts), 1801.
I read your letter, dear brother and friend, with much pleasure, and I thank you for your good opinion of me and of my works, and hope I may continue to deserve it. I also beg you to present all due thanks to Herr K.
[Kuhnel] for his politeness and friends.h.i.+p towards me. I, on my part, rejoice in your undertakings, and am glad that when works of art do turn out profitable, they fall to the share of true artists, rather than to that of mere tradesmen.
Your intention to publish Sebastian Bach's works really gladdens my heart, which beats with devotion for the lofty and grand productions of this our father of the science of harmony, and I trust I shall soon see them appear.
I hope when golden peace is proclaimed, and your subscription list opened, to procure you many subscribers here.[1]
With regard to our own transactions, as you wish to know my proposals, they are as follows. I offer you at present the following works:--The Septet (which I already wrote to you about), 20 ducats; Symphony, 20 ducats; Concerto, 10 ducats; Grand Solo Sonata, _allegro, adagio, minuetto, rondo_, 20 ducats. This Sonata [Op. 22] is well up to the mark, my dear brother!
Now for explanations. You may perhaps be surprised that I make no difference of price between the sonata, septet, and symphony. I do so because I find that a septet or a symphony has not so great a sale as a sonata, though a symphony ought unquestionably to be of the most value.
(N.B. The septet consists of a short introductory _adagio_, an _allegro, adagio, minuetto, andante_, with variations, _minuetto_, and another short _adagio_ preceding a _presto_.) I only ask ten ducats for the concerto, for, as I already wrote to you, I do not consider it one of my best. I cannot think that, taken as a whole, you will consider these prices exorbitant; at least, I have endeavored to make them as moderate as possible for you.
With regard to the banker's draft, as you give me my choice, I beg you will make it payable by Germuller or Schuller. The entire sum for the four works will amount to 70 ducats; I understand no currency but Vienna ducats, so how many dollars in gold they make in your money is no affair of mine, for really I am a very bad man of business and accountant. Now this _troublesome_ business is concluded;--I call it so, heartily wis.h.i.+ng that it could be otherwise here below! There ought to be only one grand _depot_ of art in the world, to which the artist might repair with his works, and on presenting them receive what he required; but as it now is, one must be half a tradesman besides--and how is this to be endured? Good heavens! I may well call it _troublesome_!
As for the Leipzig oxen,[2] let them talk!--they certainly will make no man immortal by their prating, and as little can they deprive of immortality those whom Apollo destines to attain it.
Now may Heaven preserve you and your colleagues! I have been unwell for some time; so it is rather difficult for me at present to write even music, much more letters. I trust we shall have frequent opportunities to a.s.sure each other how truly you are my friend, and I yours.
I hope for a speedy answer. Adieu!
L. V. BEETHOVEN.
[Footnote 1: I have at this moment in my hands this edition of Bach, bound in one thick volume, together with the first part of Nageli's edition of the _Wohltemperirtes Clavier_, also three books of exercises (D, G, and C minor), the _Toccata in D Minor_, and _Twice Fifteen Inventions_.]
[Footnote 2: It is thus that Schindler supplies the gap. It is probably an allusion to
21.
TO HERR HOFMEISTER.
Vienna, April 22, 1801.
You have indeed too good cause to complain not a little of me. My excuse is that I have been ill, and in addition had so much to do, that I could scarcely even think of what I was to send you. Moreover, the only thing in me that resembles a genius is, that my papers are never in very good order, and yet no one but myself can succeed in arranging them. For instance, in the score of the concerto, the piano part, according to my usual custom, was not yet written down; so, owing to my hurry, you will receive it in my own very illegible writing. In order that the works may follow as nearly as possible in their proper order, I have marked the numbers to be placed on each, as follows:--
Solo Sonata, Op. 22.
Symphony, Op. 21.
Septet, Op. 20.
Concerto, Op. 19.
I will send you their various t.i.tles shortly.
Put me down as a subscriber to Sebastian Bach's works [see Letter 20], and also Prince Lichnowsky. The arrangement of Mozart's Sonatas as quartets will do you much credit, and no doubt be profitable also. I wish I could contribute more to the promotion of such an undertaking, but I am an irregular man, and too apt, even with the best intentions, to forget everything; I have, however, mentioned the matter to various people, and I everywhere find them well disposed towards it. It would be a good thing if you would arrange the septet you are about to publish as a quintet, with a flute part, for instance; this would be an advantage to amateurs of the flute, who have already importuned me on the subject, and who would swarm round it like insects and banquet on it.
Now to tell you something of myself. I have written a ballet ["Prometheus"], in which the ballet-master has not done his part so well as might be. The F---- von L---- has also bestowed on us a production which by no means corresponds with the ideas of his genius conveyed by the newspaper reports. F---- seems to have taken Herr M---- (Wenzel Muller?) as his ideal at the Kusperle, yet without even rising to his level. Such are the fine prospects before us poor people who strive to struggle upwards! My dear friend, pray lose no time in bringing the work before the notice of the public, and write to me soon, that I may know whether by my delay I have entirely forfeited your confidence for the future. Say all that is civil and kind to your partner, Kuhnel. Everything shall henceforth be sent finished, and in quick succession. So now farewell, and continue your regards for
Your friend and brother,
BEETHOVEN.
22.
TO HERR HOFMEISTER.
Vienna, June, 1801.
I am rather surprised at the communication you have desired your business agent here to make to me; I may well feel offended at your believing me capable of so mean a trick. It would have been a very different thing had I sold my works to rapacious shopkeepers, and then secretly made another good speculation; but, from _one artist to another_, it is rather a strong measure to suspect me of such a proceeding! The whole thing seems to be either a device to put me to the test, or a mere suspicion. In any event I may tell you that before you received the septet from me I had sent it to Mr. Salomon in London (to be played at his own concert, which I did solely from friends.h.i.+p), with the express injunction to beware of its getting into other hands, as it was my intention to have it engraved in Germany, and, if you choose, you can apply to him for the confirmation of this. But to give you a further proof of my integrity, "I herewith give you the faithful a.s.surance that I have neither sold the septet, the symphony, the concerto, nor the sonata to any one but to Messrs. Hofmeister and Kuhnel, and that they may consider them to be their own exclusive property. And to this I pledge my honor." You may make what use you please of this guarantee.
Moreover, I believe Salomon to be as incapable of the baseness of engraving the septet as I am of selling it to him. I was so scrupulous in the matter, that when applied to by various publishers to sanction a pianoforte arrangement of the septet, I at once declined, though I do not even know whether you proposed making use of it in this way. Here follow the long-promised t.i.tles of the works. There will no doubt be a good deal to alter and to amend in them; but this I leave to you. I shall soon expect a letter from you, and, I hope, the works likewise, which I wish to see engraved, as others have appeared, and are about to appear, in connection with these numbers. I look on your statement as founded on mere rumors, which you have believed with too much facility, or based entirely on supposition, induced by having perchance heard that I had sent the work to Salomon; I cannot, therefore, but feel some coolness towards such a credulous friend, though I still subscribe myself
Your friend,
BEETHOVEN.
23.
DEDICATION TO DR. SCHMIDT.[1]
1801.
MONSIEUR,--
Je sens parfaitement bien, que la Celebrite de Votre nom ainsi que l'amitie dont Vous m'honorez, exigeroient de moi la dedicace d'un bien plus important ouvrage. La seule chose qui a pu me determiner a Vous offrir celui-ci de preference, c'est qu'il me paroit d'une execution plus facile et par la meme plus propre a contribuer a la Satisfaction dont Vous jouissez dans l'aimable Cercle de Votre Famille.--C'est surtout, lorsque les heureux talents d'une fille cherie se seront developpes davantage, que je me flatte de voir ce but atteint. Heureux si j'y ai reussi et si dans cette faible marque de ma haute estime et de ma grat.i.tude Vous reconnoissez toute la vivacite et la cordialite de mes sentiments.
LOUIS VAN BEETHOVEN.
[Footnote 1: Grand Trio, Op. 38.]
24.
TO HIS SCHOLAR, FERDINAND RIES.[1]
1801.
DEAR RIES,--
I send you herewith the four parts corrected by me; please compare the others already written out with these. I also enclose a letter to Count Browne. I have told him that he must make an advance to you of fifty ducats, to enable you to get your outfit. This is absolutely necessary, so it cannot offend him; for after being equipped, you are to go with him to Baden on the Monday of the ensuing week. I must, however, reproach you for not having had recourse to me long ago. Am I not your true friend? Why did you conceal your necessities from me? No friend of mine shall ever be in need, so long as I have anything myself. I would already have sent you a small sum, did I not rely on Browne; if he fails us, then apply at once to your
BEETHOVEN.