Chapter 50
Brook and road Were fellow-travellers in this gloomy Pa.s.s, And with them did we journey several hours At a slow step. The immeasurable height Of woods decaying, never to be decayed, The stationary blasts of waterfalls.
And in the narrow rent, at every turn, Winds thwarting winds bewildered and forlorn, The torrents shooting from the clear blue sky, The rocks that muttered close upon our ears, Black drizzling crags that spake by the way-side As if a voice were in them, the sick sight And giddy prospect of the raving stream, The unfettered clouds and region of the heavens, Tumult and peace, the darkness and the light, Were all like workings of one mind, the features Of the same face, blossoms upon one tree, Characters of the great Apocalypse, The types and symbols of Eternity, Of first, and last, and midst, and without end.
1799.
Thirty years afterwards I crossed the Alps by the same Pa.s.s: and what had become of the forms and powers to which I had been indebted for those emotions? Many of them remained of course undestroyed and indestructible. But, though the road and torrent continued to run parallel to each other, their fellows.h.i.+p was put an end to. The stream had dwindled into comparative insignificance, so much had Art interfered with and taken the lead of Nature; and although the utility of the new work, as facilitating the intercourse of great nations, was readily acquiesced in, and the workmans.h.i.+p, in some places, could not but excite admiration, it was impossible to suppress regret for what had vanished for ever. The oratories heretofore not unfrequently met with, on a road still somewhat perilous, were gone; the simple and rude bridges swept away; and instead of travellers proceeding, with leisure to observe and feel, were pilgrims of fas.h.i.+on hurried along in their carriages, not a few of them perhaps discussing the merits of 'the last new Novel,' or poring over their Guide-books, or fast asleep. Similar remarks might be applied to the mountainous country of Wales; but there too, the plea of utility, especially as expediting the communication between England and Ireland, more than justifies the labours of the Engineer. Not so would it be with the Lake District. A railroad is already planned along the sea coast, and another from Lancaster to Carlisle is in great forwardness: an intermediate one is therefore, to say the least of it, superfluous. Once for all let me declare that it is not against Railways but against the abuse of them that I am contending.
How far I am from undervaluing the benefit to be expected from railways in their legitimate application will appear from the following lines published in 1837, and composed some years earlier.
STEAMBOATS AND RAILWAYS.
Motions and Means, on sea, on land at war With old poetic feeling, not for this Shall ye, by poets even, be judged amiss!
Nor shall your presence, howsoe'er it mar The loveliness of Nature, prove a bar To the mind's gaining that prophetic sense Of future good, that point of vision, whence May be discovered what in soul ye are.
In spite of all that Beauty must disown In your harsh features, Nature doth embrace Her lawful offspring in man's Art; and Time, Pleased with your triumphs o'er his brother s.p.a.ce, Accepts from your bold hand the proffered crown Of hope, and welcomes you with cheer sublime.
I have now done with the subject. The time of life at which I have arrived may, I trust, if nothing else will, guard me from the imputation of having written from any selfish interests, or from fear of disturbance which a railway might cause to myself. If grat.i.tude for what repose and quiet in a district hitherto, for the most part, not disfigured but beautified by human hands, have done for me through the course of a long life, and hope that others might hereafter be benefited in the same manner and in the same country, _be_ selfishness, then, indeed, but not otherwise, I plead guilty to the charge. Nor have I opposed this undertaking on account of the inhabitants of the district _merely_, but, as hath been intimated, for the sake of every one, however humble his condition, who coming hither shall bring with him an eye to perceive, and a heart to feel and
Proud were ye, Mountains, when, in times of old, Your patriot sons, to stem invasive war, Intrenched your brows; ye gloried in each scar: Now, for your shame, a Power, the Thirst of Gold, That rules o'er Britain like a baneful star, Wills that your peace, your beauty, shall be sold, And clear way made for her triumphal car Through the beloved retreats your arms enfold!
Heard YE that Whistle? As her long-linked Train Swept onwards, did the vision cross your view?
Yes, ye were startled;--and, in balance true, Weighing the mischief with the promised gain, Mountains, and Vales, and Floods, I call on you To share the pa.s.sion of a just disdain.
WILLIAM WORDSWORTH.
NOTES AND ILl.u.s.tRATIONS.
AESTHETICAL AND LITERARY.
I. _Of Literary Biography and Monuments_.
(_a_) _A Letter to a Friend of Robert Burns, 1816_.
P. 5, l. 1. James Gray, Esq. Wordsworth was justified in naming Gray a 'friend' of Burns. He was originally Master of the High School, Dumfries, and a.s.sociated with the Poet there. Transferred to the High School of Edinburgh, he taught for well-nigh a quarter of a century with repute. Disappointed of the Rectors.h.i.+p, he retired from Edinburgh to an academy at Belfast. Later, having entered holy orders, he proceeded to India as a chaplain in the East India Company's service. He was stationed at Bhooj, in Cutch, near the mouth of the Indus; and the education of the young Rao of that province having been intrusted to the British Government, Gray was selected as his instructor--being the first Christian honoured with such an appointment in the East. He died at his post in 1830, deeply regretted. He was author of 'Cuna of Cheyd' and the 'Sabbath among the Mountains,' and many other things, original and editorial. He left a MS. poem, ent.i.tled 'India,' and a translation of the Gospels into the Cutch dialect of Hindoostanee. He will hold a niche in literature as the fifteenth bard in the 'Queen's Wake' who sings of 'King Edward's Dream.' He married a sister of Mrs. Hogg.
P. 5, footnote. Peterkin was a laborious compiler; but his Lives of Burns and Fergusson are written in the most high-flown and exaggerated style imaginable. He died in 1847.
P. 5, l. 9. 'Mr. Gilbert Burns... a favourable opportunity,' &c. This excellent, common-sensed, and humble man's contributions to the later impressions (1804, &c.) of Dr. Currie's edition of Burns are of permanent value--very much more valuable than later brilliant productions that have displaced them. In Peterkin's Burns there is a letter from Gilbert Burns to him, dated September 29th, 1814.
P. 7. Verse-quotation from Burns. From 'Address to the Unco Guid, or the Rigidly Righteous' (closing stanzas).
P. 15. Verse-quotation. From Burns' 'A Bard's Epitaph.'
P. 17, footnote. Long before Wordsworth, Thomas Watson, in his 'Epistle to the Frendly Reader' prefixed to his [Greek: EKATOMPATHIA] (1582), wrote: 'As for any _Aristarchus_, Momus, or Zoilus, if they pinch me more than is reasonable, thou, courteous Reader, which arte of a better disposition, shalt rebuke them in my behalfe; saying to the first [Aristarchus], that my birdes are al of mine own hatching,' &c.
P. 21, ll. 30-37, Chatterton; ll. 38-40, &c., Michael Bruce. Both of the suggested monuments have been raised; Chatterton's at Bristol, and Bruce's over his grave. A photograph of the latter is given in our quarto edition of his Poems.
II. _Upon Epitaphs_.
P. 27, l. 10. Camden. Here and throughout the quotations (modernised) are from 'Remaines concerning Britain: their
Languages, Names, Surnames, Allusions, Anagrammes, Armories, Monies, Empreses, Apparell, Artillarie, Wise Speeches, Proverbs, Poesies, Epitaphs.
Written by William Camden, Esquire, Clarenceux King of Armes, surnamed the Learned. The sixth Impression, with many rare Antiquities never before imprinted. By the Industry and Care of John Philpot, Somerset Herald: and W.D. Gent. London, 1657, 4to. Epitaphes, pp. 355-409. It has not been deemed necessary to point out the somewhat loose character of the quotations from Camden by Wordsworth; nor, with so many editions available, would it have served any good end to have given the places in the 'Epitaphes.' While Wordsworth evidently read both Camden and Weever, his chief authority seems to have been a book that appeared on the sale of his library, viz. 'Wit's Recreations; containing 630 Epigrams, 160 _Epitaphs_, and variety of Fantasies and Fantastics, good for Melancholy Humours. 1641.'
P. 27, l. 16. This verse-rendering of 'Maecenas' is by Wordsworth, not Camden--the quotation from whom here ought to have been marked with an inverted comma (') after _relictos_.
P. 27, l. 22. Weever. The t.i.tle in full is as follows: 'Ancient Fvnerall Monvments within the Vnited Monarchie of Great Britaine, Ireland, and the Islands adiacent, with the dissolued Monasteries therein contained: their Founders, and what eminent Persons have beene in the same interred. As also the Death and Bvriall of Certaine of the Blood Royall, the n.o.bilitie and Gentrie of these Kingdomes entombed in forraine Nations. A work reuiuing the dead memorie of the Royal Progenie, the n.o.bilitie, Gentrie, and Communaltie of these his Maiesties Dominions.
Intermixed and Ill.u.s.trated with variety of Historicall observations, annotations, and briefe notes, extracted out of approued Authors, infallible Records, Lieger Bookes, Charters, Rolls, old Ma.n.u.scripts, and the Collections of iudicious Antiquaries. Whereunto is prefixed a Discourse of Funerall Monuments. Of the Foundation and Fall of Religious Houses. Of Religious Orders. Of the Ecclesiasticall estate of England.
And of other occurrences touched vpon by the way, in the whole pa.s.sage of these intended labours. Composed by the Studie and Trauels of John Weever. Spe labor leuis. London. 1631, folio.' As with Camden, Wordsworth quotes Weever from memory (apparently) throughout.
P. 27, l. 23. Query--'or fore-feeling'?
P. 32, l. 6. 'Pause, Traveller.' The 'Siste viator' was kept up long after such roadside interments were abandoned. Crashaw's Epitaph for Harris so begins; _e.g._ 'Siste te paulum, viator,' &c. (Works, vol. ii.
p. 378, Fuller Worthies' Library.)
P. 33. John Edwards; verse-quotation. Query--the author of 'Kathleen'
(1808), 'Abradates and Panthea' (1808), &c.?
P. 40. At close; verse-quotation. From Milton, Ep. W. Sh.
P. 41. Verse-heading. From Gray's 'Elegy.' _En pa.s.sant_, be it noted that on 1st June 1875, at Sotheby's, the original MS. of this Elegy was sold for upwards of 300 guineas to Sir William Fraser.
P. 45, l. 28. Read 'mearely'=merrily, as 'merrely' onward.
P. 49. ll. 7-14. On these lines, alleged to have been written by Montrose, see Dr. Hannah's 'Courtly Poets' (1870), p. 207, and numerous references. It may be noted that in line 2 Wordsworth changes 'too rigid' into 'so rigid;' and l. 7, 'trumpet' into 'trumpets.'
P. 49, ll. 30-2. Verse-quotation. Milton, 'Paradise Lost,' book vi. ll.
754-6.
P. 66 (bottom). Epitaph on Mrs. Clark--_i.e._ Mrs. Jane Clarke. In l.
1, Gray wrote, not 'the,' but 'this;' which in the light of the criticism it is important to remember.
P. 73-75. Long verse-quotation. From the 'Excursion,' book vii. ll.
400-550. Note the 'Various Readings.'
III. _Essays, Letters, and Notes elucidatory and confirmatory of the Poems_.
(_a_) _Of the Principles of Poetry and the 'Lyrical Ballads.'_
P. 85. Verse-quotation. From Gray's Poems, 'Sonnet on the Death of Mr.
Richard West.'
P. 99, l. 30. Sir Joshua Reynolds. For Wordsworth's critical verdict on his literary work as well as his painting, see Letters in present volume, pp. 153-157, _et alibi_.