Chapter 65
[553] G.o.ddesses who presided over generation; see also the 'Lysistrata.'
[554] A tetralogy, a series of four dramas connected by subject, of which the princ.i.p.al character was Lycurgus, king of the Thracians. When Bacchus returned to Thrace as conqueror of the Indies he dared to deride the G.o.d, and was punished by him in consequence. All four plays are lost.
[555] That is, the attributes of a man and those of a woman combined.
[556] That is, you make love in the posture known as 'the horse,'
_equus_, in other words the woman atop of the man. There is a further joke intended here, inasmuch as Euripides, in his 'Phaedra,' represents the heroine as being pa.s.sionately addicted to hunting and horses.
[557] Ibycus, a lyric poet of the sixth century, originally from Rhegium in Magna Graecia.--Anacreon, a celebrated erotic poet of the beginning of the fifth century.--Alcaeus, a lyric poet, born about 600 B.C. at Mytilene, in the island of Lesbos, was driven out of his country by a tyrant and sang of his loves, his services as a warrior, his travels and the miseries of his exile. He was a contemporary of Sappho, and conceived a pa.s.sion for her, which she only rewarded with disdain.
[558] Phrynichus, a disciple of Thespis, improved the dramatic art, when still no more than a child; it was he who first introduced female characters upon the stage and made use of the iambic of six feet in tragedies. He flourished about 500 B.C.
[559] Philocles, Xenocles, and Theognis were dramatic poets and contemporaries of Aristophanes. The two first were sons of Carcinus, the poet and dancer.
[560] Fragment of Euripides' 'Aeolus,' a lost drama.
[561] Fragment of Euripides' well-known play, the 'Alcestis.'
[562] An allusion to the secret practices of mutual love which the women a.s.sembled for the Thesmophoria were credited by popular repute with indulging in.
[563] That is, to sanctuary.
[564] An effeminate often mentioned by Aristophanes.
[565] An allusion to the pederastic habits which the poet attributes to Agathon.
[566] An obscene allusion.
[567] On the machine upon which he is perched.
[568] A fragment of the 'Menalippe' of Euripides.
[569] The ether played an important part in the physical theories of Hippocrates, the celebrated physician.
[570] An allusion to a
[571] The name of a slave; being disguised as a woman, Mnesilochus has himself followed by a female servant, a Thracian slave-woman.
[572] Demeter and Cora (or Persephone), who were adored together during the Thesmophoria.
[573] Women slaves were forbidden by law to be present at the Thesmophoria; they remained at the door of the temple and there waited for the orders of their mistresses.
[574] The G.o.d of riches.
[575] The nurse of Demeter. According to another version, Calligenia was a surname of Demeter herself, who was adored as presiding over the growth of a child at its mother's breast.
[576] A surname of Demeter, who, by means of the food she produces as G.o.ddess of abundance, presides over the development of the bodies of children and young people. Curotrophos is derived from [Greek: trephein], to nourish, and [Greek: kouros], young boy.
[577] Apollo.
[578] Artemis.
[579] An insult which Aristophanes constantly repeats in every way he can; as we have seen before, Euripides' mother was, or was commonly said to be, a market-woman.
[580] Lovers sent each other chaplets and flowers.
[581] In parody of a pa.s.sage in the 'Sthen.o.boea' of Euripides, which is preserved in Athenaeus.
[582] He believes her pregnant.
[583] A fragment from the 'Phoenix,' by Euripides.
[584] It seems that the Spartan locksmiths were famous for their skill.
[585] The women broke the seals their husbands had affixed, and then, with the aid of their ring bearing the same device, they replaced them as before.
[586] The impression of which was too complicated and therefore could not be imitated.
[587] As a remedy against the colic.
[588] So that it might not creak when opened.
[589] An altar in the form of a column in the front vestibule of houses and dedicated to Apollo.
[590] Because the smell of garlic is not inviting to gallants.
[591] The last words are the thoughts of the woman, who pretends to be in child-bed; she is, however, careful not to utter them to her husband.
[592] The proverb runs, "_There is a scorpion beneath every stone._" By subst.i.tuting _orator_ for _scorpion_, Aristophanes means it to be understood that one is no less venomous than the other.
[593] There were two women named Aglaurus. One, the daughter of Actaeus, King of Attica, married Cecrops and brought him the kings.h.i.+p as her dowry; the other was the daughter of Cecrops, and was turned into stone for having interfered from jealousy with Hermes' courts.h.i.+p of Herse her sister. It was this second Aglaurus the Athenian women were in the habit of invoking; they often a.s.sociated with her her sister Pandrosus.
[594] Underneath the baths were large hollow chambers filled with steam to maintain the temperature of the water.
[595] By kicking her in the stomach.
[596] Clisthenes is always represented by Aristophanes as effeminate in the extreme in dress and habits.
[597] The coward, often mentioned with contempt by Aristophanes, had thrown away his s.h.i.+eld.
[598] The ancients believed that cress reduced the natural secretions.
[599] A deme of Attica.
[600] The women lodged in pairs during the Thesmophoria in tents erected near the Temple of Demeter.
[601] The Corinthians were constantly pa.s.sing their vessels across the isthmus from one sea to the other; we know that the Grecian s.h.i.+ps were of very small dimensions.
[602] This was the name of the place where the Ecclesia, the public meeting of the people, took place; the chorus gives this name here to Demeter's temple, because the women are gathered there.