Chapter 21
"What has he to do with it?" Uncle Ernst stood still. "What has he to do with it? Who was it who gave the rule that might came before right?
Or, if he did not say it, who gave such effect to it in his actions that the accursed maxim has become the leading principle with men nowadays, on which they regulate their conduct--both active and pa.s.sive? Who has taught our good simple folk how a man may live in perpetual conflict with those whom it has chosen as its representatives, and grasp at his objects over the heads of these representatives?--how an army of followers may be created, and a docile party say 'Amen' to everything, or say anything else that is needed to attain these objects? Did you not hear what was said about the army of workers? That is no longer the mad dream of some crack-brained enthusiast. It is a reality, which is increasing threateningly as an avalanche, and which will sooner or later precipitate itself in wild destruction upon us all. Who can blame them? Might is stronger than right! And so the revolution is declared _en permanence_, and war between every man and his neighbour. For the present he has conquered--he thinks he has conquered--and glories in his victory and in the imperial crown which he has won for his master, and which he has taken from the shelf, where another laid it who would not take it from the hands of the people!--from the hands of the people of those days--a good, true, faithful people, whose most sacred dream was this crown!
Ask them if they still believe! Ask them what they think of the crown by the grace of G.o.d! Ask them what they dream of now!"
Uncle Ernst pointed to the dismissed workmen, who were crossing the court, in larger and smaller parties, towards the lower building, from the door of which Cilli's father had issued before, and were gesticulating wildly and talking together.
"Will they be paid off without any disturbance?" asked Reinhold.
"The police-station is too near," answered Uncle Ernst, with a bitter smile. "They are still afraid of the police; you need be under no anxiety. And, before I forget it, thank you, my boy."
"What for, uncle?"
"There was no necessity for it, but I saw that you were ready to stand up for me at need."
"Had you doubted it?"
"No, in spite of your enthusiasm for Bismarck. And now go to Ferdinanda. You are going to the Exhibition?"
"I heard something of it; but, to tell you the truth, I have lost all inclination for it."
"Oh, nonsense!" said Uncle Ernst. "Ferdinanda would be inconsolable, and--I do not like to have my business arrangements interfering with the family affairs."
Uncle Ernst pressed Reinhold's hand heartily, and walked into the house, pa.s.sing through the workmen, who drew back timidly on either side. Reinhold left the place with a hesitating step. He would have liked to remain with his uncle, at any rate; and he was more than doubtful that Ferdinanda would be inconsolable
CHAPTER VIII.
The youth in the s.h.i.+rt-sleeves who had answered Reinhold with such scant courtesy, slammed to the door, and shaking his fist muttered a big oath in his native language between his sharp white teeth. Then he went back into the room and walked with light steps up to a door which divided his studio from the next one. He put his ear against the door and listened for a minute or two. A smile of satisfaction lighted up his dark face, he drew a deep breath as he stood erect, then stealthily as a cat he ran up the winding iron staircase which led to his own room, whence he had come on hearing Reinhold's knock.
In a few minutes he came downstairs again, this time without attempting not to make a noise; indeed, rather stepping more heavily than was necessary and whistling a tune. He had coat and waistcoat on now, and instead of the slippers which he had worn before, had varnished boots on his small feet, at which he glanced with much satisfaction as he walked downstairs. Arrived at the bottom, he went immediately up to a large and handsome Venetian looking-gla.s.s and examined his whole figure with the greatest care, arranged his blue tie, fastened one of the gold studs more securely into his s.h.i.+rt-front, and pa.s.sed a comb through his s.h.i.+ning raven-black hair. He whistled more and more softly, and finally left off altogether. Then coming away from the looking-gla.s.s, he moved rather noisily first one and then another obstacle as they came in his way, till there was nothing between him and the door against which he had just now listened.
Seizing a stool, which for this very purpose he had placed within reach against the wall, he stood upon it, and applied his eye, as just now his ear, to the door, close to it; for with great trouble he had bored a hole with a very fine gimlet, and with great trouble, too, had he learnt how to look through it so as to see into the next room, or at least to see her in the place where she worked.
The blood rushed into his dark cheeks as he thus looked. "O Bellissima!" he murmured between his lips, pressing a pa.s.sionate kiss upon the wood.
Suddenly he sprang down noiselessly like a cat: the stool again leaned against the wall, and he stood before the unfinished marble of a colossal female figure as some one knocked at the other side of the door.
"Signor Antonio!"
"Signora!" exclaimed the young man from where he stood. He had grasped chisel and hammer, so as the better to play the part of one surprised.
"Can you come in here for a moment, Signor Antonio? Fatemi il piacere!"
"Si, signora."
He threw his tools aside and ran to the door, which was now unbolted.
Notwithstanding this and his having received an invitation, he knocked before he opened it.
"Ma--entrate! How smart you are, Signor Antonio!"
Antonio dropped his dark eye-lashes and glanced at his slender figure down to the very tips of his varnished boots--but only for a moment.
The next the pa.s.sionate sullen eyes were fixed upon the beautiful girl, who, wearing her ordinary dark morning dress with a long ap.r.o.n, stood before him with her modelling tool in her hand.
"You have no need to think of dress; you are always beautiful!"
He said it in German. He was proud of his German since she had praised his accent during the Italian lessons he gave her and told him that every word in his mouth sounded new, new and delightful like meeting a friend in a foreign land.
"I feel anything but beautiful this morning," answered Ferdinanda, "but I want your help. My model has failed me; I wanted to work at the eyes to-day. You have finer eyes than your countrywoman, Antonio; do stand there just for a few minutes!"
A smile of gratified pride stole over the youth's handsome face. He stood before Ferdinanda in the precise att.i.tude which she had given to her statue.
"Bravo!" said she: "it is difficult to say whether you are a better actor or sculptor."
"Un povero abbozzatore!" he murmured.
"You are no workman," said Ferdinanda; "but as you well know, an artist."
"I am an artist as you are a princess."
"What does that mean?"
"I was born to be an artist, but am not one, as you were born to be a princess and yet are not one."
"What a mad notion!"
She did not say it angrily, but rather in a tone as if she agreed with him, which did not escape the sharp ear of the Italian.
"You know it yourself," he said.
She made no answer, but went on working, though without much spirit.
"She has called me to say something to me," said Antonio to himself.
"Where were you last night, Antonio?" she asked after a pause.
"At my club, signora."
"When did you come home?"
"Late."
"But when?"
"At one o'clock. Ma perche?"
She was leaning over the small table which held her tools and feeling about amongst them.