Chapter 15
TO VARENNA,--GRATZ.
Vienna, May 8, 1812.
SIR,--
Being still far from well, and much occupied, I have been unable to reply to your letters. How in the world did such an unfounded idea ever occur to you as that I was displeased? It would certainly have been better had you returned the music as soon as it had been performed; for at that period I could have produced it here, whereas now, unluckily, it comes too late; but I only say _unluckily_ because it prevents my being able to spare the worthy ladies the expenses of copying. At any other time I would on no account have allowed them to pay for writing out the works, but it so happens that at this moment I am visited with every kind of _contretemps_, so I cannot avoid doing so. Possibly Herr O., although with the best intentions, has delayed informing you of this, which obliged me to apply to him for repayment of the expenses of copying; perhaps, too, in my haste, I did not express myself distinctly. You can now, esteemed sir, have the Overture and the Chorus again if you require them.
I feel convinced that in any event you will prevent my confidence being abused; in the mean time you may keep the Overture on the conditions I have stated. If I find that I am able to pay for the copying, I will redeem it for my own use.
The score of the Oratorio is a gift, and also the Overture to "Egmont."
Keep the parts of the Oratorio beside you till you can have it performed.
Select whatever you choose for the concert which I hear you now intend to give, and if you decide on the Chorus and the Overture, they shall be forwarded to you at once. For the future concert, for the benefit of the venerable Ursulines, I promise you an entirely new symphony at all events, and perhaps also a work of some importance for voices, and as I have now a favorable opportunity, the copying shall not cost you a farthing. My joy would be beyond all bounds if the concert were to be successful, and I could spare you all expense;--at all events, take my good-will for granted.
Remember me to the admirable teachers of the children, and say to them that I shed tears of joy at the happy result of my poor good-will, and that so far as my humble capabilities can serve them, they shall always find in me the warmest sympathy.
My cordial thanks for your invitation; I would fain become acquainted with the interesting scenery of Styria, and possibly I may one day enjoy that pleasure. Farewell! I heartily rejoice in having found in you a friend to the poor and needy, and am always yours to command.
LUDWIG VAN BEETHOVEN, M.P.
89.
TO JOSEPH FREIHERR VON SCHWEIGER, CHAMBERLAIN OF THE ARCHDUKE RUDOLPH.[1]
1812.
The most insignificant of mortals has just been to wait on his gracious master, when he found everything closed; so he came here, where indeed all was _open_, but no one to be found except the trusty servant. I had a heavy packet of music with me, in order to ensure a good musical evening before we parted; but in vain. Malfatti[2] is resolved that I shall go to Toplitz, which is anything but agreeable to me. As, however, I must obey, I hope at least that my gracious master will not enjoy himself quite so much without me. _O vanitas!_ for it is nothing else. Before I set off for Toplitz I will either go to Baden to see you or write. Farewell! Pray present my homage to my gracious master, and continue your regard for
Your friend,
[K.] BEETHOVEN.
[Footnote 1: The journey to Toplitz took place in the year 1812.]
[Footnote 2: A very celebrated physician in Vienna at that time, consulted by Beethoven.]
90.
TO VARENNA,--GRATZ.
Toplitz, July 19, 1812.
My thanks have been too long delayed for all
However, better late than never; so I beg you will say all sorts of kind things in my name to the admirable Ursuline ladies, though I did not deserve so much grat.i.tude; indeed it is rather for me to thank Him who enables me to render my art occasionally useful to others. When you next wish to make use of my poor abilities for the benefit of the venerable ladies, you have only to write to me.
A new symphony is now ready for you, and as the Archduke Rudolph has had it copied out, it will cost you nothing. Perhaps I may one of these days be able to send you something vocal. I only wish and hope that you will not ascribe my anxiety to serve these venerable ladies to a certain degree of vanity or desire for fame, as this would grieve me exceedingly. If these good ladies wish to do me any service in return, I beg they will include me with their pupils in their pious orisons. I remain, with esteem,
Your friend,
LUDWIG VAN BEETHOVEN.
I shall remain here for some weeks; so if there is any occasion to write, address to me here.
91.
WRITTEN IN THE ALb.u.m OF THE SINGER, MDME. AUGUSTE SEBALD.
Toplitz, August 8, 1812.
LUDWIG VAN BEETHOVEN,
Who even if you would, Forget you never should.
92.
TO H.R. HIGHNESS THE ARCHDUKE RUDOLPH.
Franzensbrunn, Aug. 12, 1812.
It was my bounden duty long ago to have recalled myself to Y.R.H.'s recollection, but partly my occupations and the state of my health, as well as my own insignificance, made me reluctant to do so. I missed Y.R.H. by one night only in Prague; for when proceeding to pay my respects to you in the morning, I found you had set off the very night before. In Toplitz I heard a military band four times a day,--the only musical report which I can give you. I was a great deal with Goethe.[1] My physician Staudenheim, however, ordered me off to Carlsbad,[2] and from thence here, and probably I shall have to go back to Toplitz from this. What flights! And yet it seems very doubtful whether any improvement in my condition has..h.i.therto taken place. I receive the best accounts of Y.R.H.'s health, and also of the persistent devotion you exhibit towards the musical Muse. Y.R.H. has no doubt heard of a concert that I gave for the benefit of the sufferers by fire in the Stadt Baden,[3] a.s.sisted by Herr Polledro.[4] The receipts were nearly 1000 florins W.W., and if I had not been restricted in my arrangements we might easily have taken 2000 florins. It was literally a _poor concert for the poor_. I could only find at the publisher's here some of my earlier sonatas with violin accompaniments, and as Polledro had set his heart on these, I was obliged to content myself with playing an old Sonata.[5] The entire concert consisted of a trio, in which Polledro played, my Sonata with violin, then again something was played by Polledro, and, lastly, I extemporized. Meanwhile I do sincerely rejoice that by this means something has fallen to the share of the poor _Badeners_. Pray deign to accept my best wishes for your welfare, and my entreaty that you will sometimes think of me.
[K.]
[Footnote 1: Beethoven speaks very briefly of his meeting with Goethe.
Goethe in his _Tag- und Jahrschriften_ of 1812 makes no allusion to Beethoven during his stay at Toplitz. It does not, therefore, appear that either of these master-minds found any particular pleasure in each other when they met personally. Beethoven, indeed, dedicated to "the immortal Goethe" (1812) his composition the _Meeresstille und gluckliche Fahrt_, but only wrote once to him in 1823 to obtain a subscription from the Grand Duke of Weimar for his Grand Ma.s.s, and received no answer from Goethe. In the complete edition of Goethe's works Beethoven's name is only once mentioned by Goethe, when he refers to his funeral obsequies.]
[Footnote 2: Dr. Staudenheim was, like Malfatti, one of the most celebrated physicians in Vienna. Beethoven, too, was well acquainted with Staudenheim, but in his regimen he neither followed the prescriptions of Staudenheim nor of Malfatti.]
[Footnote 3: The Stadt Baden, near Vienna, had been visited on July 16th by a most destructive conflagration.]
[Footnote 4: Giov. Batt. Polledro, Kapellmeister in Turin, born 1776, travelled through Germany as a violinist from 1809 to 1812. He gave a concert in Vienna in March, 1812.]
[Footnote 5: The violin Sonata with pianoforte was probably Op. 47 (composed in 1803 and published in 1805, according to Thayer, No. 111), or one of his earlier compositions, Op. 30, or 24, or 23.]
93.
TO BETTINA VON ARNIM.
Toplitz, August 15, 1812.
MY MOST DEAR KIND FRIEND,--
Kings and princes can indeed create professors and privy-councillors, and confer t.i.tles and decorations, but they cannot make great men,--spirits that soar above the base turmoil of this world. There their powers fail, and this it is that forces them to respect us.[1] When two persons like Goethe and myself meet, these grandees cannot fail to perceive what such as we consider great. Yesterday, on our way home, we met the whole Imperial family; we saw them coming some way off, when Goethe withdrew his arm from mine, in order to stand aside; and, say what I would, I could not prevail on him to make another step in advance. I pressed down my hat more firmly on my head, b.u.t.toned up my great-coat, and, crossing my arms behind me, I made my way through the thickest portion of the crowd. Princes and courtiers formed a lane for me; Archduke Rudolph took off his hat, and the Empress bowed to me first. These great ones of the earth _know me_. To my infinite amus.e.m.e.nt, I saw the procession defile past Goethe, who stood aside with his hat off, bowing profoundly. I afterwards took him sharply to task for this; I gave him no quarter, and upbraided him with all his sins, especially towards you, my dear friend, as we had just been speaking of you. Heavens! if I could have lived with you as _he_ did, believe me I should have produced far greater things. A musician is also a poet, he too can feel himself transported into a brighter world by a pair of fine eyes, where loftier spirits sport with him and impose heavy tasks on him. What thoughts rushed into my mind when I first saw you in the Observatory during a refres.h.i.+ng May shower, so fertilizing to me also![2] The most beautiful themes stole from your eyes into my heart, which shall yet enchant the world when Beethoven no longer _directs_. If G.o.d vouchsafes to grant me a few more years of life, I must then see you once more, my dear, most dear friend, for the voice within, to which I always listen, demands this.