Chapter 47
OF THE WAY OF REPRESENTING A BATTLE.
First you must represent the smoke of artillery mingling in the air with the dust and tossed up by the movement of horses and the combatants. And this mixture you must express thus: The dust, being a thing of earth, has weight; and although from its fineness it is easily tossed up and mingles with the air, it nevertheless readily falls again. It is the finest part that rises highest; hence that part will be least seen and will look almost of the same colour as the air. The higher the smoke mixed with the dust-laden air rises towards a certain level, the more it will look like a dark cloud; and it will be seen that at the top, where the smoke is more separate from the dust, the smoke will a.s.sume a bluish tinge and the dust will tend to its colour. This mixture of air, smoke and dust will look much lighter on the side whence the light comes than on the opposite side. The more the combatants are in this turmoil the less will they be seen, and the less contrast will there be in their lights and shadows. Their faces and figures and their appearance, and the musketeers as well as those near them you must make of a glowing red. And this glow will diminish in proportion as it is remote from its cause.
The figures which are between you and the light, if they be at a distance, will appear dark on a light background, and the lower part of their legs near the ground will be least visible, because there the dust is coa.r.s.est and densest [19]. And if you introduce horses galloping outside the crowd, make the little clouds of dust distant from each other in proportion to the strides made by the horses; and the clouds which are furthest removed from the horses, should be least visible; make them high and spreading and thin, and the nearer ones will be more conspicuous and smaller and denser [23]. The air must be full of arrows in every direction, some shooting upwards, some falling, some flying level. The b.a.l.l.s from the guns must have a train of smoke following their flight. The figures in the foreground you must make with dust on the hair and eyebrows and on other flat places likely to retain it. The conquerors you will make rus.h.i.+ng onwards with their hair and other light things flying on the wind, with their brows bent down,
[Footnote: 19-23. Compare 608. 57-75.]
602.
and with the opposite limbs thrust forward; that is where a man puts forward the right foot the left arm must be advanced. And if you make any one fallen, you must show the place where he has slipped and been dragged along the dust into blood stained mire; and in the half-liquid earth arround show the print of the tramping of men and horses who have pa.s.sed that way. Make also a horse dragging the dead body of his master, and leaving behind him, in the dust and mud, the track where the body was dragged along. You must make the conquered and beaten pale, their brows raised and knit, and the skin above their brows furrowed with pain, the sides of the nose with wrinkles going in an arch from the nostrils to the eyes, and make the nostrils drawn up-which is the cause of the lines of which I speak-, and the lips arched upwards and discovering the upper teeth; and the teeth apart as with crying out and lamentation. And make some one s.h.i.+elding his terrified eyes with one hand, the palm towards the enemy, while the other rests on the ground to support his half raised body. Others represent shouting with their mouths open, and running away. You must scatter arms of all sorts among the feet of the combatants, as broken s.h.i.+elds, lances, broken swords and other such objects. And you must make the dead partly or entirely covered with dust, which is changed into crimson mire where it has mingled with the flowing blood whose colour shows it issuing in a sinuous stream from the corpse. Others must be represented in the agonies of death grinding their teeth, rolling their eyes, with their fists clenched against their bodies and their legs contorted. Some might be shown disarmed and beaten down by the enemy, turning upon the foe, with teeth and nails, to take an inhuman and bitter revenge. You might see some riderless horse rus.h.i.+ng among the enemy, with his mane flying in the wind, and doing no little mischief with his heels. Some maimed warrior may be seen fallen to the earth, covering himself with his s.h.i.+eld, while the enemy, bending over him, tries to deal him a deathstroke. There again might be seen a number of men fallen in a heap over a dead horse. You would see some of the victors leaving the fight and issuing from the crowd, rubbing their eyes and cheeks with both hands to clean them of the dirt made by their watering eyes smarting from the dust and smoke. The reserves may be seen standing, hopeful but cautious; with watchful eyes, shading them with their hands and gazing through the dense and murky confusion, attentive to the commands of their captain. The captain himself, his staff raised, hurries towards these auxiliaries, pointing to the spot where they are most needed. And there may be a river into which horses are galloping, churning up the water all round them into turbulent waves of foam and water, tossed into the air and among the legs and bodies of the horses. And there must not be a level spot that is not trampled with gore.
603.
OF LIGHTING THE LOWER PARTS OF BODIES CLOSE TOGETHER, AS OF MEN IN BATTLE.
As to men and horses represented in battle, their different parts will be dark in proportion as they are nearer to the ground on which they stand. And this is proved by the sides of wells which grow darker in proportion to their depth, the reason of which is that the deepest part of the well sees and receives a smaller amount of the luminous atmosphere than any other part.
And the pavement, if it be of the same colour as the legs of these said men and horses, will always be more lighted and at a more direct angle than the said legs &c.
604.
OF THE WAY TO REPRESENT A NIGHT [SCENE].
That which is entirely bereft of light is all darkness; given a night under these conditions and that you want to represent a night scene,-arrange that there shall be a great fire, then the objects which are nearest to this fire will be most tinged with its colour; for those objects which are nearest to a coloured light partic.i.p.ate most in its nature; as therefore you give the fire a red colour, you must make all the objects illuminated by it ruddy; while those which are farther from the fire are more tinted by the black hue of night. The figures which are seen against the fire look dark in the glare of the firelight because that side of the objects which you see is tinged by the darkness of the night and not by the fire; and those who stand at the side are half dark and half red; while those who are visible beyond the edges of the flame will be fully lighted by the ruddy glow against a black background. As to their gestures, make those which are near it screen themselves with their hands and cloaks as a defence against the intense heat, and with their faces turned away as if about to retire. Of those farther off represent several as raising their hands to screen their eyes, hurt by the intolerable glare.
Of depicting a tempest (605. 606).
605.
Describe a wind on land and at sea. Describe a storm of rain.
606.
HOW TO REPRESENT A TEMPEST.
If you wish to represent a tempest consider and arrange well its effects as seen, when the wind, blowing over the face of the sea and earth, removes and carries with it such things as are not fixed to the general ma.s.s. And to represent the storm accurately you must first show the clouds scattered and torn, and flying with the wind, accompanied by clouds of sand blown up from the sea sh.o.r.e, and boughs and leaves swept along by the strength and fury of the blast and scattered with other light objects through the air. Trees and plants must be bent to the ground, almost as if they would follow the course of the gale, with their branches twisted out of their natural growth and their leaves tossed and turned about [Footnote 11: See Pl. XL, No. 2.]. Of the men who are there some must have fallen to the ground and be entangled in their garments, and hardly to be recognized for the dust, while those who remain standing may be behind some tree, with their arms round it that the wind may not tear them away; others with their hands over their eyes for the dust, bending to the ground with their clothes and hair streaming in the wind. [Footnote 15: See Pl. x.x.xIV, the right hand lower sketch.] Let the sea be rough and tempestuous and full of foam whirled among the lofty waves, while the wind flings the lighter spray through the stormy air, till it resembles a dense and swathing
Of representing the deluge (607-609).
607.
TO REPRESENT THE DELUGE.
The air was darkened by the heavy rain whose oblique descent driven aslant by the rush of the winds, flew in drifts through the air not otherwise than as we see dust, varied only by the straight lines of the heavy drops of falling water. But it was tinged with the colour of the fire kindled by the thunder-bolts by which the clouds were rent and shattered; and whose flashes revealed the broad waters of the inundated valleys, above which was seen the verdure of the bending tree tops. Neptune will be seen in the midst of the water with his trident, and [15] let AEolus with his winds be shown entangling the trees floating uprooted, and whirling in the huge waves. The horizon and the whole hemisphere were obscure, but lurid from the flashes of the incessant lightning. Men and birds might be seen crowded on the tall trees which remained uncovered by the swelling waters, originators of the mountains which surround the great abysses [Footnote 23: Compare Vol. II. No. 979.].
608.
OF THE DELUGE AND HOW TO REPRESENT IT IN A PICTURE.
Let the dark and gloomy air be seen buffeted by the rush of contrary winds and dense from the continued rain mingled with hail and bearing hither and thither an infinite number of branches torn from the trees and mixed with numberless leaves. All round may be seen venerable trees, uprooted and stripped by the fury of the winds; and fragments of mountains, already scoured bare by the torrents, falling into those torrents and choking their valleys till the swollen rivers overflow and submerge the wide lowlands and their inhabitants. Again, you might have seen on many of the hill-tops terrified animals of different kinds, collected together and subdued to tameness, in company with men and women who had fled there with their children. The waters which covered the fields, with their waves were in great part strewn with tables, bedsteads, boats and various other contrivances made from necessity and the fear of death, on which were men and women with their children amid sounds of lamentation and weeping, terrified by the fury of the winds which with their tempestuous violence rolled the waters under and over and about the bodies of the drowned. Nor was there any object lighter than the water which was not covered with a variety of animals which, having come to a truce, stood together in a frightened crowd-among them wolves, foxes, snakes and others-fleing from death. And all the waters das.h.i.+ng on their sh.o.r.es seemed to be battling them with the blows of drowned bodies, blows which killed those in whom any life remained [19]. You might have seen a.s.semblages of men who, with weapons in their hands, defended the small spots that remained to them against lions, wolves and beasts of prey who sought safety there. Ah! what dreadful noises were heard in the air rent by the fury of the thunder and the lightnings it flashed forth, which darted from the clouds dealing ruin and striking all that opposed its course. Ah! how many you might have seen closing their ears with their hands to shut out the tremendous sounds made in the darkened air by the raging of the winds mingling with the rain, the thunders of heaven and the fury of the thunder-bolts. Others were not content with shutting their eyes, but laid their hands one over the other to cover them the closer that they might not see the cruel slaughter of the human race by the wrath of G.o.d. Ah! how many laments! and how many in their terror flung themselves from the rocks! Huge branches of great oaks loaded with men were seen borne through the air by the impetuous fury of the winds. How many were the boats upset, some entire, and some broken in pieces, on the top of people labouring to escape with gestures and actions of grief foretelling a fearful death. Others, with desperate act, took their own lives, hopeless of being able to endure such suffering; and of these, some flung themselves from lofty rocks, others strangled themselves with their own hands, other seized their own children and violently slew them at a blow; some wounded and killed themselves with their own weapons; others, falling on their knees recommended themselves to G.o.d. Ah! how many mothers wept over their drowned sons, holding them upon their knees, with arms raised spread out towards heaven and with words and various threatening gestures, upbraiding the wrath of the G.o.ds. Others with clasped hands and fingers clenched gnawed them and devoured them till they bled, crouching with their breast down on their knees in their intense and unbearable anguish. Herds of animals were to be seen, such as horses, oxen, goats and swine already environed by the waters and left isolated on the high peaks of the mountains, huddled together, those in the middle climbing to the top and treading on the others, and fighting fiercely themselves; and many would die for lack of food. Already had the birds begun to settle on men and on other animals, finding no land uncovered which was not occupied by living beings, and already had famine, the minister of death, taken the lives of the greater number of the animals, when the dead bodies, now fermented, where leaving the depth of the waters and were rising to the top. Among the buffeting waves, where they were beating one against the other, and, like as b.a.l.l.s full of air, rebounded from the point of concussion, these found a resting place on the bodies of the dead. And above these judgements, the air was seen covered with dark clouds, riven by the forked flashes of the raging bolts of heaven, lighting up on all sides the depth of the gloom.
The motion of the air is seen by the motion of the dust thrown up by the horse's running and this motion is as swift in again filling up the vacuum left in the air which enclosed the horse, as he is rapid in pa.s.sing away from the air.
Perhaps it will seem to you that you may reproach me with having represented the currents made through the air by the motion of the wind notwithstanding that the wind itself is not visible in the air. To this I must answer that it is not the motion of the wind but only the motion of the things carried along by it which is seen in the air.
THE DIVISIONS. [Footnote 76: These observations, added at the bottom of the page containing the full description of the doluge seem to indicate that it was Leonardo's intention to elaborate the subject still farther in a separate treatise.]
Darkness, wind, tempest at sea, floods of water, forests on fire, rain, bolts from heaven, earthquakes and ruins of mountains, overthrow of cities [Footnote 81: Spianamenti di citta (overthrow of cities). A considerable number of drawings in black chalk, at Windsor, ill.u.s.trate this catastrophe. Most of them are much rubbed; one of the least injured is reproduced at Pl. x.x.xIX. Compare also the pen and ink sketch Pl. x.x.xVI.].
Whirlwinds which carry water [spouts] branches of trees, and men through the air.
Boughs stripped off by the winds, mingling by the meeting of the winds, with people upon them.
Broken trees loaded with people.
s.h.i.+ps broken to pieces, beaten on rocks.
Flocks of sheep. Hail stones, thunderbolts, whirlwinds.
People on trees which are unable to to support them; trees and rocks, towers and hills covered with people, boats, tables, troughs, and other means of floating. Hills covered with men, women and animals; and lightning from the clouds illuminating every thing.
[Footnote: This chapter, which, with the next one, is written on a loose sheet, seems to be the pa.s.sage to which one of the compilers of the Vatican copy alluded when he wrote on the margin of fol. 36: "Qua mi ricordo della mirabile discritione del Diluuio dello autore." It is scarcely necessary to point out that these chapters are among those which have never before been published. The description in No. 607 may be regarded as a preliminary sketch for this one. As the MS. G. (in which it is to be found) must be attributed to the period of about 1515 we may deduce from it the approximate date of the drawings on Pl. x.x.xIV, x.x.xV, Nos. 2 and 3, x.x.xVI and x.x.xVII, since they obviously belong to this text. The drawings No. 2 on Pl. x.x.xV are, in the original, side by side with the text of No. 608; lines 57 to 76 are shown in the facsimile. In the drawing in Indian ink given on Pl. x.x.xIV we see Wind-G.o.ds in the sky, corresponding to the allusion to Aeolus in No. 607 1. 15.-Plates x.x.xVI and x.x.xVII form one sheet in the original. The texts reproduced on these Plates have however no connection with the sketches, excepting the sketches of clouds on the right hand side. These texts are given as No. 477. The group of small figures on Pl. x.x.xVII, to the left, seems to be intended for a 'congregatione d'uomini.' See No. 608, 1. 19.]
609.
DESCRIPTION OF THE DELUGE.
Let there be first represented the summit of a rugged mountain with valleys surrounding its base, and on its sides let the surface of the soil be seen to slide, together with the small roots of the bushes, denuding great portions of the surrounding rocks. And descending ruinous from these precipices in its boisterous course, let it dash along and lay bare the twisted and gnarled roots of large trees overthrowing their roots upwards; and let the mountains, as they are scoured bare, discover the profound fissures made in them by ancient earthquakes. The base of the mountains may be in great part clothed and covered with ruins of shrubs, hurled down from the sides of their lofty peaks, which will be mixed with mud, roots, boughs of trees, with all sorts of leaves thrust in with the mud and earth and stones. And into the depth of some valley may have fallen the fragments of a mountain forming a sh.o.r.e to the swollen waters of its river; which, having already burst its banks, will rush on in monstrous waves; and the greatest will strike upon and destroy the walls of the cities and farmhouses in the valley [14]. Then the ruins of the high buildings in these cities will throw up a great dust, rising up in shape like smoke or wreathed clouds against the falling rain; But the swollen waters will sweep round the pool which contains them striking in eddying whirlpools against the different obstacles, and leaping into the air in muddy foam; then, falling back, the beaten water will again be dashed into the air. And the whirling waves which fly from the place of concussion, and whose impetus moves them across other eddies going in a contrary direction, after their recoil will be tossed up into the air but without das.h.i.+ng off from the surface. Where the water issues from the pool the spent waves will be seen spreading out towards the outlet; and there falling or pouring through the air and gaining weight and impetus they will strike on the water below piercing it and rus.h.i.+ng furiously to reach its depth; from which being thrown back it returns to the surface of the lake, carrying up the air that was submerged with it; and this remains at the outlet in foam mingled with logs of wood and other matters lighter than water. Round these again are formed the beginnings of waves which increase the more in circ.u.mference as they acquire more movement; and this movement rises less high in proportion as they acquire a broader base and thus they are less conspicuous as they die away. But if these waves rebound from various objects they then return in direct opposition to the others following them, observing the same law of increase in their curve as they have already acquired in the movement they started with. The rain, as it falls from the clouds is of the same colour as those clouds, that is in its shaded side; unless indeed the sun's rays should break through them; in that case the rain will appear less dark than the clouds. And if the heavy ma.s.ses of ruin of large mountains or of other grand buildings fall into the vast pools of water, a great quant.i.ty will be flung into the air and its movement will be in a contrary direction to that of the object which struck the water; that is to say: The angle of reflection will be equal to the angle of incidence. Of the objects carried down by the current, those which are heaviest or rather largest in ma.s.s will keep farthest from the two opposite sh.o.r.es. The water in the eddies revolves more swiftly in proportion as it is nearer to their centre. The crests of the waves of the sea tumble to their bases falling with friction on the bubbles of their sides; and this friction grinds the falling water into minute particles and this being converted into a dense mist, mingles with the gale in the manner of curling smoke and wreathing clouds, and at last it, rises into the air and is converted into clouds. But the rain which falls through the atmosphere being driven and tossed by the winds becomes rarer or denser according to the rarity or density of the winds that buffet it, and thus there is generated in the atmosphere a moisture formed of the transparent particles of the rain which is near to the eye of the spectator. The waves of the sea which break on the slope of the mountains which bound it, will foam from the velocity with which they fall against these hills; in rus.h.i.+ng back they will meet the next wave as it comes and and after a loud noise return in a great flood to the sea whence they came. Let great numbers of inhabitants-men and animals of all kinds-be seen driven [54] by the rising of the deluge to the peaks of the mountains in the midst of the waters aforesaid.
The wave of the sea at Piombino is all foaming water. [Footnote 55. 56: These two lines are written below the bottom sketch on Pl. x.x.xV, 3. The MS. Leic. being written about the year 1510 or later, it does not seem to me to follow that the sketches must have been made at Piombino, where Leonardo was in the year 1502 and possibly returned there subsequently (see Vol. II. Topographical notes).]
Of the water which leaps up from the spot where great ma.s.ses fall on its surface. Of the winds of Piombino at Piombino. Eddies of wind and rain with boughs and shrubs mixed in the air. Emptying the boats of the rain water.
[Footnote: The sketches on Pl. x.x.xV 3 stand by the side of lines 14 to 54.]
Of depicting natural phenomena (610. 611).
610.
The tremendous fury of the wind driven by the falling in of the hills on the caves within-by the falling of the hills which served as roofs to these caverns.
A stone flung through the air leaves on the eye which sees it the impression of its motion, and the same effect is produced by the drops of water which fall from the clouds when it [16] rains.
[17] A mountain falling on a town, will fling up dust in the form of clouds; but the colour of this dust will differ from that of the clouds. Where the rain is thickest let the colour of the dust be less conspicuous and where the dust is thickest let the rain be less conspicuous. And where the rain is mingled with the wind and with the dust the clouds created by the rain must be more transparent than those of dust [alone]. And when flames of fire are mingled with clouds of smoke and water very opaque and dark clouds will be formed [Footnote 26-28: Compare Pl. XL, 1-the drawing in Indian ink on the left hand side, which seems to be a reminiscence of his observations of an eruption (see his remarks on Mount Etna in Vol II).]. And the rest of this subject will be treated in detail in the book on painting.
[Footnote: See the sketches and text on Pl. x.x.xVIII, No. 1. Lines 1-16 are there given on the left hand side, 17-30 on the right. The four lines at the bottom on the right are given as No. 472. Above these texts, which are written backwards, there are in the original sixteen lines in a larger writing from left to right, but only half of this is here visible. They treat of the physical laws of motion of air and water. It does not seem to me that there is any reason for concluding that this writing from left to right is spurious. Compare with it the facsimile of the rough copy of Leonardo's letter to Ludovico il Moro in Vol. II.]
611.