Sinister Street

Stella shuddered.

"Michael, what a perfectly horrible idea. Deformed!"

"Well, wouldn't you sooner he were deformed than that you were--than that--than the other idea?" Michael stammered.

"No, I wouldn't," Stella cried. "I'd much, much, much rather that mother was never married."

Michael tried to drag his mind towards the comprehension of this unnatural sentiment, but the longer he regarded it the worse it seemed, and with intense irony he observed to Stella:

"I suppose you'll be telling me next that you're in love."

"I'm not in love just at the moment," said Stella blandly.

"Do you mean to say you have been in love?"

"A good deal," she admitted.

Michael leaped to his feet, and looked down on her rec.u.mbent in the bracken.

"But only in a stupid schoolgirly way?" he gasped.

"Yes, I suppose it was," Stella paused. "But it was fearfully thrilling all the same--especially in duets."

"Duets?"

"I used to read ahead, and watch where our hands would come together, and then the notes used to get quite slippery with excitement."

"Look here," Michael demanded, drawing himself up, "are you trying to be funny?"

"No," Stella declared, rising to confront Michael. "He was one of my masters. He was only about thirty, and he was killed in Switzerland by an avalanche."

Michael was staggered by the confession of this shocking and precocious child, as one after another his chimeras rose up to leer at him triumphantly.

"And did he make love to you? Did he try to kiss you?" Michael choked out.

"Oh, no," said Stella. "That would have spoilt it all."

Michael sighed under a faint lightening of his load, and Stella came up to him engagingly to slip her arm into his.

"Don't be angry with me, Michael, because I have wanted so dreadfully to be great friends with you and tell you all my secrets. I want to tell you what I think about when I'm playing; and, Michael, you oughtn't to be angry with me, because you were simply just made to be told secrets.

That's why I played so well last night. I was telling you a secret all the time."

"Do you know what it is, Stella?" said Michael, with a certain awe in his voice. "I believe our father is in an asylum, and I believe

"All geniuses are," said Stella earnestly.

"But we aren't geniuses."

"I am," murmured Stella in a strangely quiet little voice that sounded in Michael's ears like the song of a furtive melodious bird.

"Are you?" he whispered, half frightened by this a.s.sertion, delivered under huge overarching trees in the burning silence of the forest. "Who told you so?"

"I told myself so. And when I tell myself something very solemnly, I can't be anything but myself, and I must be speaking the truth."

"But even if you're a genius--and I suppose you might be--I'm not a genius. I'm clever, but I'm not a genius."

"No, but you're the nearest person to being me, and if you're not a genius, I think you can understand. Oh, Michael," Stella cried, clasping his arm to her heart, "you do understand, because you never laughed when I told you I was a genius. I've told lots of girl-friends, and they laugh and say I'm conceited."

"Well, you are," said Michael, feeling bound not to lose the opportunity of impressing Stella with disapproval as well as comprehension.

"I know I am. But I must be to go on being myself. Oh, you darling brother, you do understand me. I've longed for someone to understand me.

Mother's only proud of me."

"I'm not at all proud of you," said Michael crus.h.i.+ngly.

"I don't want you to be. If you were proud of me, you'd think I belonged to you, and I don't ever want to belong to anybody."

"I shouldn't think you ever would," said Michael encouragingly, as they paced the sensuous mossy path in a rapture of avowals. "I should think you'd frighten anybody except me. But why do you fall in love, then?"

"Oh, because I want to make people die with despair."

"Great Scott, you are an unearthly kid."

"Oh, I'm glad I'm unearthly," said Stella. "I'd like to be a sort of Undine. I think I am. I don't think I've got a soul, because when I play I go rus.h.i.+ng out into the darkness to look for my soul, and the better I play the nearer I get."

Michael stopped beneath an oak-tree and surveyed this extraordinary sister of his.

"Well, I always thought I was a mystic, but, good Lord, you're fifty times as much of a mystic as I am," he exclaimed with depressed conviction.

Suddenly Stella gave a loud scream.

"What on earth are you yelling at?" said Michael.

"Oh, Michael, look--a most enormous animal. Oh, look, oh, let me get up a tree. Oh, help me up. Push me up this tree."

"It's a wild-boar," declared Michael in a tone of astonished interest.

Stella screamed louder than ever and clung to Michael, sobbing. The boar, however, went on its way, routing among the herbage.

"Well, you may be a genius," said Michael, "but you're an awful little funk."

"But I was frightened."

"Wild-boars aren't dangerous except when they're being hunted," Michael a.s.serted positively.

Stella soon became calm under the influence of her brother's equanimity.

Arm-in-arm they sauntered back towards Compiegne, and so for a month of serene weather they sauntered every day, and every day Michael pondered more and more deeply the mystery of woman. He was sorry to say good-bye to Stella when she went back to Germany, and longed for the breathless hour of her first concert, wishful that all his life he might stand between her and the world, the blundering wild-boar of a world.