Chapter 8
Singer called out to Philip, but he did not answer. He had got his teeth in the pillow so that his sobbing should be inaudible. He was not crying for the pain they had caused him, nor for the humiliation he had suffered when they looked at his foot, but with rage at himself because, unable to stand the torture, he had put out his foot of his own accord.
And then he felt the misery of his life. It seemed to his childish mind that this unhappiness must go on for ever. For no particular reason he remembered that cold morning when Emma had taken him out of bed and put him beside his mother. He had not thought of it once since it happened, but now he seemed to feel the warmth of his mother's body against his and her arms around him. Suddenly it seemed to him that his life was a dream, his mother's death, and the life at the vicarage, and these two wretched days at school, and he would awake in the morning and be back again at home. His tears dried as he thought of it. He was too unhappy, it must be nothing but a dream, and his mother was alive, and Emma would come up presently and go to bed. He fell asleep.
But when he awoke next morning it was to the clanging of a bell, and the first thing his eyes saw was the green curtain of his cubicle.
XII
As time went on Philip's deformity ceased to interest. It was accepted like one boy's red hair and another's unreasonable corpulence. But meanwhile he had grown horribly sensitive. He never ran if he could help it, because he knew it made his limp more conspicuous, and he adopted a peculiar walk. He stood still as much as he could, with his club-foot behind the other, so that it should not attract notice, and he was constantly on the look out for any reference to it. Because he could not join in the games which other boys played, their life remained strange to him; he only interested himself from the outside in their doings; and it seemed to him that there was a barrier between them and him. Sometimes they seemed to think that it was his fault if he could not play football, and he was unable to make them understand. He was left a good deal to himself. He had been inclined to talkativeness, but gradually he became silent. He began to think of the difference between himself and others.
The biggest boy in his dormitory, Singer, took a dislike to him, and Philip, small for his age, had to put up with a good deal of hard treatment. About half-way through the term a mania ran through the school for a game called Nibs. It was a game for two, played on a table or a form with steel pens. You had to push your nib with the finger-nail so as to get the point of it over your opponent's, while he manoeuvred to prevent this and to get the point of his nib over the back of yours; when this result was achieved you breathed on the ball of your thumb, pressed it hard on the two nibs, and if you were able then to lift them without dropping either, both nibs became yours. Soon nothing was seen but boys playing this game, and the more skilful acquired vast stores of nibs. But in a little while Mr. Watson made up his mind that it was a form of gambling, forbade the game, and confiscated all the nibs in the boys'
possession. Philip had been very adroit, and it was with a heavy heart that he gave up his winning; but his fingers itched to play still, and a few days later, on his way to the football field, he went into a shop and bought a pennyworth of J pens. He carried them loose in his pocket and enjoyed feeling them. Presently Singer found out that he had them. Singer had given up his nibs too, but he had kept back a very large one, called a Jumbo, which was almost unconquerable, and he could not resist the opportunity of getting Philip's Js out of him. Though Philip knew that he
"What are you doing?" he asked.
He looked from Singer to Philip, but neither answered.
"Don't you know that I've forbidden you to play that idiotic game?"
Philip's heart beat fast. He knew what was coming and was dreadfully frightened, but in his fright there was a certain exultation. He had never been swished. Of course it would hurt, but it was something to boast about afterwards.
"Come into my study."
The headmaster turned, and they followed him side by side Singer whispered to Philip:
"We're in for it."
Mr. Watson pointed to Singer.
"Bend over," he said.
Philip, very white, saw the boy quiver at each stroke, and after the third he heard him cry out. Three more followed.
"That'll do. Get up."
Singer stood up. The tears were streaming down his face. Philip stepped forward. Mr. Watson looked at him for a moment.
"I'm not going to cane you. You're a new boy. And I can't hit a cripple.
Go away, both of you, and don't be naughty again."
When they got back into the school-room a group of boys, who had learned in some mysterious way what was happening, were waiting for them. They set upon Singer at once with eager questions. Singer faced them, his face red with the pain and marks of tears still on his cheeks. He pointed with his head at Philip, who was standing a little behind him.
"He got off because he's a cripple," he said angrily.
Philip stood silent and flushed. He felt that they looked at him with contempt.
"How many did you get?" one boy asked Singer.
But he did not answer. He was angry because he had been hurt
"Don't ask me to play Nibs with you again," he said to Philip. "It's jolly nice for you. You don't risk anything."
"I didn't ask you."
"Didn't you!"
He quickly put out his foot and tripped Philip up. Philip was always rather unsteady on his feet, and he fell heavily to the ground.
"Cripple," said Singer.
For the rest of the term he tormented Philip cruelly, and, though Philip tried to keep out of his way, the school was so small that it was impossible; he tried being friendly and jolly with him; he abased himself, so far as to buy him a knife; but though Singer took the knife he was not placated. Once or twice, driven beyond endurance, he hit and kicked the bigger boy, but Singer was so much stronger that Philip was helpless, and he was always forced after more or less torture to beg his pardon. It was that which rankled with Philip: he could not bear the humiliation of apologies, which were wrung from him by pain greater than he could bear.
And what made it worse was that there seemed no end to his wretchedness; Singer was only eleven and would not go to the upper school till he was thirteen. Philip realised that he must live two years with a tormentor from whom there was no escape. He was only happy while he was working and when he got into bed. And often there recurred to him then that queer feeling that his life with all its misery was nothing but a dream, and that he would awake in the morning in his own little bed in London.
XIII
Two years pa.s.sed, and Philip was nearly twelve. He was in the first form, within two or three places of the top, and after Christmas when several boys would be leaving for the senior school he would be head boy. He had already quite a collection of prizes, worthless books on bad paper, but in gorgeous bindings decorated with the arms of the school: his position had freed him from bullying, and he was not unhappy. His fellows forgave him his success because of his deformity.
"After all, it's jolly easy for him to get prizes," they said, "there's nothing he CAN do but swat."
He had lost his early terror of Mr. Watson. He had grown used to the loud voice, and when the headmaster's heavy hand was laid on his shoulder Philip discerned vaguely the intention of a caress. He had the good memory which is more useful for scholastic achievements than mental power, and he knew Mr. Watson expected him to leave the preparatory school with a scholars.h.i.+p.
But he had grown very self-conscious. The new-born child does not realise that his body is more a part of himself than surrounding objects, and will play with his toes without any feeling that they belong to him more than the rattle by his side; and it is only by degrees, through pain, that he understands the fact of the body. And experiences of the same kind are necessary for the individual to become conscious of himself; but here there is the difference that, although everyone becomes equally conscious of his body as a separate and complete organism, everyone does not become equally conscious of himself as a complete and separate personality. The feeling of apartness from others comes to most with p.u.b.erty, but it is not always developed to such a degree as to make the difference between the individual and his fellows noticeable to the individual. It is such as he, as little conscious of himself as the bee in a hive, who are the lucky in life, for they have the best chance of happiness: their activities are shared by all, and their pleasures are only pleasures because they are enjoyed in common; you will see them on Whit-Monday dancing on Hampstead Heath, shouting at a football match, or from club windows in Pall Mall cheering a royal procession. It is because of them that man has been called a social animal.
Philip pa.s.sed from the innocence of childhood to bitter consciousness of himself by the ridicule which his club-foot had excited. The circ.u.mstances of his case were so peculiar that he could not apply to them the ready-made rules which acted well enough in ordinary affairs, and he was forced to think for himself. The many books he had read filled his mind with ideas which, because he only half understood them, gave more scope to his imagination. Beneath his painful shyness something was growing up within him, and obscurely he realised his personality. But at times it gave him odd surprises; he did things, he knew not why, and afterwards when he thought of them found himself all at sea.
There was a boy called Luard between whom and Philip a friends.h.i.+p had arisen, and one day, when they were playing together in the school-room, Luard began to perform some trick with an ebony pen-holder of Philip's.
"Don't play the giddy ox," said Philip. "You'll only break it."
"I shan't."
But no sooner were the words out of the boy's mouth than the pen-holder snapped in two. Luard looked at Philip with dismay.
"Oh, I say, I'm awfully sorry."
The tears rolled down Philip's cheeks, but he did not answer.
"I say, what's the matter?" said Luard, with surprise. "I'll get you another one exactly the same."
"It's not about the pen-holder I care," said Philip, in a trembling voice, "only it was given me by my mater, just before she died."
"I say, I'm awfully sorry, Carey."
"It doesn't matter. It wasn't your fault."