Main Street

"I want to see this Yeats thing, 'Land of Heart's Desire.' I used to love it in college." She was awake now, and urgent. "I know you didn't care so much for Yeats when I read him aloud to you, but you just see if you don't adore him on the stage."

Most of the cast were as unwieldy as oak chairs marching, and the setting was an arty arrangement of batik scarfs and heavy tables, but Maire Bruin was slim as Carol, and larger-eyed, and her voice was a morning bell. In her, Carol lived, and on her lifting voice was transported from this sleepy small-town husband and all the rows of polite parents to the stilly loft of a thatched cottage where in a green dimness, beside a window caressed by linden branches, she bent over a chronicle of twilight women and the ancient G.o.ds.

"Well--gosh--nice kid played that girl--good-looker," said Kennicott.

"Want to stay for the last piece? Heh?"

She s.h.i.+vered. She did not answer.

The curtain was again drawn aside. On the stage they saw nothing but long green curtains and a leather chair. Two young men in brown robes like furniture-covers were gesturing vacuously and droning cryptic sentences full of repet.i.tions.

It was Carol's first hearing of Dunsany. She sympathized with the restless Kennicott as he felt in his pocket for a cigar and unhappily put it back.

Without understanding when or how, without a tangible change in the stilted intoning of the stage-puppets, she was conscious of another time and place.

Stately and aloof among vainglorious tiring-maids, a queen in robes that murmured on the marble floor, she trod the gallery of a crumbling palace. In the courtyard, elephants trumpeted, and swart men with beards dyed crimson stood with blood-stained hands folded upon their hilts, guarding the caravan from El Sharnak, the camels with Tyrian stuffs of topaz and cinnabar. Beyond the turrets of the outer wall the jungle glared and shrieked, and the sun was furious above drenched orchids.

A youth came striding through the steel-bossed doors, the sword-bitten doors that were higher than ten tall men. He was in flexible mail, and under the rim of his planished morion were amorous curls. His hand was out to her; before she touched it she could feel its warmth----

"Gosh all hemlock! What the d.i.c.kens is all this stuff about, Carrie?"

She was no Syrian queen. She was Mrs. Dr. Kennicott. She fell with a jolt into a whitewashed hall and sat looking at two scared girls and a young man in wrinkled tights.

Kennicott fondly rambled as they left the hall:

"What the deuce did that last spiel mean? Couldn't make head or tail of it. If that's highbrow drama, give me a cow-puncher movie, every time!

Thank G.o.d, that's over, and we can get to bed. Wonder if we wouldn't make time by walking over to Nicollet to take a car? One thing I will say for that dump: they had it warm enough. Must have a big hot-air furnace, I guess. Wonder how much coal it takes to run 'em through the winter?"

In the car he affectionately patted her knee, and he was for a second the striding youth in armor; then he was Doc Kennicott

She would recreate them in plays!

She would make the dramatic a.s.sociation understand her aspiration. They would, surely they would----

She looked doubtfully at the impenetrable reality of yawning trolley conductor and sleepy pa.s.sengers and placards advertising soap and underwear.

CHAPTER XVIII

I

SHE hurried to the first meeting of the play-reading committee. Her jungle romance had faded, but she retained a religious fervor, a surge of half-formed thought about the creation of beauty by suggestion.

A Dunsany play would be too difficult for the Gopher Prairie a.s.sociation. She would let them compromise on Shaw--on "Androcles and the Lion," which had just been published.

The committee was composed of Carol, Vida Sherwin, Guy Pollock, Raymie Wutherspoon, and Juanita Haydock. They were exalted by the picture of themselves as being simultaneously business-like and artistic. They were entertained by Vida in the parlor of Mrs. Elisha Gurrey's boarding-house, with its steel engraving of Grant at Appomattox, its basket of stereoscopic views, and its mysterious stains on the gritty carpet.

Vida was an advocate of culture-buying and efficiency-systems. She hinted that they ought to have (as at the committee-meetings of the Thanatopsis) a "regular order of business," and "the reading of the minutes," but as there were no minutes to read, and as no one knew exactly what was the regular order of the business of being literary, they had to give up efficiency.

Carol, as chairman, said politely, "Have you any ideas about what play we'd better give first?" She waited for them to look abashed and vacant, so that she might suggest "Androcles."

Guy Pollock answered with disconcerting readiness, "I'll tell you: since we're going to try to do something artistic, and not simply fool around, I believe we ought to give something cla.s.sic. How about 'The School for Scandal'?"

"Why----Don't you think that has been done a good deal?"

"Yes, perhaps it has."

Carol was ready to say, "How about Bernard Shaw?" when he treacherously went on, "How would it be then to give a Greek drama--say 'Oedipus Tyrannus'?"

"Why, I don't believe----"

Vida Sherwin intruded, "I'm sure that would be too hard for us. Now I've brought something that I think would be awfully jolly."

She held out, and Carol incredulously took, a thin gray pamphlet ent.i.tled "McGinerty's Mother-in-law." It was the sort of farce which is advertised in "school entertainment" catalogues as:

Riproaring knock-out, 5 m. 3 f., time 2 hrs., interior set, popular with churches and all high-cla.s.s occasions.

Carol glanced from the scabrous object to Vida, and realized that she was not joking.

"But this is--this is--why, it's just a----Why, Vida, I thought you appreciated--well--appreciated art."

Vida snorted, "Oh. Art. Oh yes. I do like art. It's very nice. But after all, what does it matter what kind of play we give as long as we get the a.s.sociation started? The thing that matters is something that none of you have spoken of, that is: what are we going to do with the money, if we make any? I think it would be awfully nice if we presented the high school with a full set of Stoddard's travel-lectures!"

Carol moaned, "Oh, but Vida dear, do forgive me but this farce----Now what I'd like us to give is something distinguished. Say Shaw's 'Androcles.' Have any of you read it?"

"Yes. Good play," said Guy Pollock.

Then Raymie Wutherspoon astoundingly spoke up:

"So have I. I read through all the plays in the public library, so's to be ready for this meeting. And----But I don't believe you grasp the irreligious ideas in this 'Androcles,' Mrs. Kennicott. I guess the feminine mind is too innocent to understand all these immoral writers.

I'm sure I don't want to criticize Bernard Shaw; I understand he is very popular with the highbrows in Minneapolis; but just the same----As far as I can make out, he's downright improper! The things he SAYS----Well, it would be a very risky thing for our young folks to see. It seems to me that a play that doesn't leave a nice taste in the mouth and that hasn't any message is nothing but--nothing but----Well, whatever it may be, it isn't art. So----Now I've found a play that is clean, and there's some awfully funny scenes in it, too. I laughed out loud, reading it.

It's called 'His Mother's Heart,' and it's about a young man in college who gets in with a lot of free-thinkers and boozers and everything, but in the end his mother's influence----"

Juanita Haydock broke in with a derisive, "Oh rats, Raymie! Can the mother's influence! I say let's give something with some cla.s.s to it.

I bet we could get the rights to 'The Girl from Kankakee,' and that's a real show. It ran for eleven months in New York!"

"That would be lots of fun, if it wouldn't cost too much," reflected Vida.

Carol's was the only vote cast against "The Girl from Kankakee."

II

She disliked "The Girl from Kankakee" even more than she had expected.

It narrated the success of a farm-la.s.sie in clearing her brother of a charge of forgery. She became secretary to a New York millionaire and social counselor to his wife; and after a well-conceived speech on the discomfort of having money, she married his son.