Chapter 49
Mr. Saltzburg patiently took in a fresh stock of breath.
"This young man says it is his fault that the movement went wrong!"
"Tell him I only signed on this morning, laddie," urged the tweed-clad young man.
"He only joined the company this morning!"
This puzzled Mr. Miller.
"How do you mean, warning?" he asked.
Mr. Saltzburg, purple in the face, made a last effort.
"This young man is new," he bellowed carefully, keeping to words of one syllable. "He does not yet know the steps. He says this is his first day here, so he does not yet know the steps. When he has been here some more time he will know the steps. But now he does not know the steps."
"What he means," explained the young man in tweeds helpfully, "is that I don't know the steps."
"He does not know the steps!" roared Mr. Saltzburg.
"I know he doesn't know the steps," said Mr. Miller. "Why doesn't he know the steps? He's had long enough to learn them."
"He is new!"
"Hugh?"
"New!"
"Oh, new?"
"Yes, new!"
"Why the devil is he new?" cried Mr. Miller, awaking suddenly to the truth and filled with a sense of outrage. "Why didn't he join with the rest of the company? How can I put on chorus numbers if I am saddled every day with new people to teach? Who engaged him?"
"Who engaged you?" enquired Mr. Saltzburg of the culprit.
"Mr. Pilkington."
"Mr. Pilkington," shouted Mr. Saltzburg.
"When?"
"When?"
"Last night."
"Last night."
Mr. Miller waved his hands in a gesture of divine despair, spun round, darted up the aisle, turned, and bounded back.
"What can I do?" he wailed. "My hands are tied! I am hampered! I am handicapped! We open in two weeks and every day I find somebody new in the company to upset everything
The young man tottered back to his gentlemanly colleagues, running a finger in an agitated manner round the inside of his collar. He was not used to this sort of thing. In a large experience of amateur theatricals he had never encountered anything like it. In the breathing-s.p.a.ce afforded by the singing of the first verse and refrain by the lady who played the heroine of "The Rose of America," he found time to make an enquiry of the artist on his right.
"I say! Is he always like this?"
"Who? Johnny?"
"The sportsman with the hair that turned white in a single night. The barker on the sky-line. Does he often get the wind up like this?"
His colleague smiled tolerantly.
"Why, that's nothing!" he replied. "Wait till you see him really cut loose! That was just a gentle whisper!"
"My G.o.d!" said the newcomer, staring into a bleak future.
The leading lady came to the end of her refrain, and the gentlemen of the ensemble, who had been hanging about up-stage, began to curvet nimbly down towards her in a double line; the new arrival, with an eye on his nearest neighbour, endeavouring to curvet as nimbly as the others. A clapping of hands from the dark auditorium indicated--inappropriately--that he had failed to do so. Mr. Miller could be perceived--dimly--with all his fingers entwined in his hair.
"Clear the stage!" yelled Mr. Miller. "Not you!" he shouted, as the latest addition to the company began to drift off with the others.
"You stay!"
"Me?"
"Yes, you. I shall have to teach you the steps by yourself, or we shall get nowhere. Go up-stage. Start the music again, Mr. Saltzburg.
Now, when the refrain begins, come down. Gracefully! Gracefully!"
The young man, pink but determined, began to come down gracefully. And it was while he was thus occupied that Jill and Nelly Bryant, entering the wings which were beginning to fill up as eleven o'clock approached, saw him.
"Whoever is that?" said Nelly.
"New man," replied one of the chorus gentlemen. "Came this morning."
Nelly turned to Jill.
"He looks just like Mr. Rooke!" she exclaimed.
"He _is_ Mr. Rooke!" said Jill.
"He can't be!"
"He _is_!"
"But what is he doing here?"
Jill bit her lip.
"That's just what I'm going to ask him myself," she said.
II