Chapter 81
Kuhlau, Friedrich, the distinguished flute-player, a great admirer of Beethoven's music.
Kuhnel, in Leipzig. _See_ Hofmeister.
Laibach, the Philharmonic Society of.
Landrecht, Beethoven's address to the honorable members of the.
Leidesdorf, M.J., composer and music publisher in Vienna, a subscriber to the great address presented to Beethoven in 1824.
Leipzig "Allgemeine Zeitung," established in 1798; its remarks at first unfavorable towards Beethoven.
Lichnowsky, Count Moritz, brother of Prince Carl Lichnowsky, and, like him, the friend and patron of Beethoven. Schindler, in his "Biography," i. 241, n., relates as follows:--"The acute perception of the Count led him, on a nearer acquaintance with the work, to surmise that it had been written with some special intentions. On being questioned on this matter, the author replied that he had intended to set the Count's love-story to music, and that if he needed t.i.tles for it, he might write over the first piece, 'Fight between Head and Heart,' and over the second, 'Conversation with the Loved One.' After the death of his first wife, the Count had fallen deeply in love with a distinguished opera singer, but his friends protested against such an alliance. After a contest of many years' duration, however, he at last succeeded, in 1816, in removing all hindrances to their union."
Lichnowsky, Prince Carl, a friend and pupil of Mozart, and afterwards a most zealous patron of Beethoven in Vienna (died April 15, 1814).
Liechtenstein, Princess, in Vienna, Beethoven's patroness.
Linke, born 1783, a distinguished violoncello player, member of the Rasumowsky Quartets.
Lobkowitz, Prince, one of Beethoven's most zealous patrons in Vienna.
London, England, and the English.
Luther.
Maelzel, mechanician to the Imperial Court of Vienna, the well-known inventor of the metronome.
Malchus, a youthful friend of Beethoven in Bonn, in later years Minister of Finance of the kingdom of Westphalia, and afterwards of that of Wirtemberg (died at Stuttgart in 1840).
Malfatti, Dr., a celebrated surgeon in Vienna; Beethoven under his treatment in 1814.
Marconi, contralto singer in Vienna.
Marx, A.B., music director and professor at the University of Berlin; edited, when in his twentieth year, the "Berliner Musikzeitung," a journal whose publication, unfortunately, lasted but a few years only. Next to T.A.
Hofmann, he was the first who fully and thoroughly appreciated Beethoven's music in all its depth and grandeur, and who manfully
Matthisson, the poet.
Maximilian Franz, youngest brother of the Emperor Joseph II., Elector of Cologne from the year 1785, and one of the n.o.blest and most zealous patrons of the young Beethoven, on whom, in 1785, he conferred the appointment of Court organist, and in 1787, with a view to the further cultivation of his talents, sent him to Vienna, a.s.sisting him in every way until the year 1794, at which period his country fell entirely under the dominion of France (died in 1801).
Maximilian, Friedrich, Elector of Cologne until the year 1784; the first n.o.ble patron of Beethoven, whom he placed under the instruction of the Court organist Von der Eeden, and afterwards, on the death of that musician, under Neefe; as an acknowledgment for which kindness, and in proof of the success which had attended his studies, the young composer, then only eleven years of age, dedicated his first sonatas to his benefactor.
Mayseder, the celebrated violinist (died at Vienna in 1863).
Meyer, Friedrich Sebastian, a singer (born 1773, died 1835), the husband of Mozart's eldest sister-in-law, who frequently, even in Beethoven's presence, made some boastful remark in praise of his deceased relative; such as "My brother-in-law would not have written that!"
Metronome, an instrument for measuring tune in music, invented about the year 1815 by Maelzel, of Vienna, and often employed and spoken of by Beethoven.
Milder-Hauptmann, Mdlle., the celebrated singer, first in Vienna and afterwards in Berlin.
Modling, a village near Vienna, and Beethoven's favorite summer residence.
Mollo, music publisher in Vienna, afterwards the firm of Steiner & Co., and at a later period that of Haslinger.
Molk, the celebrated abbey on the Danube.
Molker Bastei, the, at Vienna, on several occasions Beethoven's residence in the house of Baron von Pasqualati (_see also_ Schindler's "Biography,"
i. 187).
Moscheles.
Mosel, Hofrath Ignaz von, in Vienna, a well-known music writer, and the founder of the Conservatory of Music in that capital.
Mozart.
Munich.
Mythological subjects, reference made to, by Beethoven, who, as it is well known, possessed a considerable acquaintance with ancient history.
Nageli, Hans Georg, the distinguished founder of men's vocal unions in Switzerland, also a popular composer of vocal music, a music publisher, and, at a later period, educational inspector in Zurich.
Napoleon, when General Bonaparte, so greatly admired by Beethoven, that on the occasion of that General's appearance, the master was incited to compose the "Eroica," which he dedicated to him ("Napoleon Buonaparte--Luigi van Beethoven"). On hearing, however, of the coronation of his hero as Emperor, he angrily cast aside the intended presentation copy of his work, and refused to send it to him.
Neate, Charles, a London artist, and a great admirer of Beethoven, with whom he became acquainted in Vienna in the year 1816.
Nussbock, town sequestrator at Vienna, for some time the guardian of Beethoven's nephew.
Nussdorf, a favorite summer residence on the Danube, near Vienna.
Oliva, a philologist and friend of Beethoven. According to Schindler ("Biography," i. 228), he repaired to St. Petersburg in 1817, in which city he settled as professor of German literature; Schindler is, however, mistaken in the date which he has given.
Oppersdorf, Count Franz von, Beethoven's friend and patron.
Pachler-Koschak, Marie, of Gratz, to whom Beethoven was warmly attached.
Papageno.
Paris.
Parry, Captain, wrote on the music of the Esquimaux.
Pasqualati, Baron von, merchant in Vienna, an ardent admirer of Beethoven, and his constant benefactor. In 1813 Beethoven again occupied apartments appropriated to his use by the Baron at his residence on the Molker Bastei, and remained there until 1816.