Chapter 111
St. James's Coffee-house was the famous Whig coffee-house from the time of Queen Anne till late in the reign of George III. It was the last house but one on the southwest corner of St. James's street, and is thus mentioned in No. 1 of the _Tatler_: "Foreign and Domestic News you will have from St. James's Coffee-house." It occurs also in the pa.s.sage quoted previously from the _Spectator_.
The St. James's was much frequented by Swift; letters for him were left here. In his Journal to Stella he says: "I met Mr. Harley, and he asked me how long I had learnt the trick of writing to myself?
He had seen your letter through the gla.s.s case at the Coffee-house, and would swear it was my hand."
Elliott, who kept the coffee-house, was, on occasions, placed on a friendly footing with his guests. Swift, in his Journal to Stella, November 19, 1710, records an odd instance of this familiarity: "This evening I christened our coffee-man Elliott's child; when the rogue had a most n.o.ble supper, and Steele and I sat amongst some scurvy company over a bowl of punch."
In the first advertis.e.m.e.nt of Lady Mary Wortley Montagu's "Town Eclogues," they are stated to have been read over at the St.
James's Coffee-house, when they were considered by the general voice to be productions of a Lady of Quality. From the proximity of the house to St. James's Palace, it was much frequented by the Guards; and we read of its being no uncommon circ.u.mstance to see Dr. Joseph Warton at breakfast in the St. James's Coffee-house, surrounded by officers of the Guards, who listened with the utmost attention and pleasure to his remarks.
To show the order and regularity observed at the St. James's, we may quote the following advertis.e.m.e.nt, appended to the _Tatler_.
No. 25; "To prevent all mistakes that may happen among gentlemen of the other end of the town, who come but once a week to St. James's Coffee-house, either by miscalling the servants, or requiring such things from them as are not properly within their respective provinces, this is to give notice that Kidney, keeper of the book-debts of the outlying customers, and observer of those who go off without paying, having resigned that employment, is succeeded by John Sowton; to whose place of enterer of messages and first coffee-grinder, William Bird is promoted; and Samuel Burdock comes as shoe-cleaner in the room of the said Bird."
But the St. James's is more memorable as the house where originated Goldsmith's celebrated poem, "Retaliation." The poet belonged to a temporary a.s.sociation of men of talent, some of them members of the Club, who dined together occasionally here. At these dinners he was generally the last to arrive. On one occasion, when he was later than usual, a whim seized the company to write epitaphs on him as "the late Dr. Goldsmith", and several were thrown off in a playful vein. The only one extant was written by Garrick, and has been preserved, very probably, by its pungency:
Here lies poet Goldsmith, for shortness called Noll; He wrote like an angel, but talked like poor Poll.
Goldsmith did not relish the sarcasm, especially coming from such a quarter; and, by way of _retaliation_, he produced the famous poem, of which c.u.mberland has left a very interesting account, but which Mr. Forster, in his "Life of Goldsmith", states to be "pure romance". The poem itself, however, with what was prefixed to it when published, sufficiently explains its own origin. What had formerly been abrupt and strange in Goldsmith's manners, had now so visibly increased, as to become matter of increased sport to such as were ignorant of its cause; and a proposition made at one of the dinners, when he was absent, to write a series of epitaphs upon him (his "country dialect" and his awkward person) was agreed to, and put in practice by several of the guests. The active aggressors appear to have been Garrick, Doctor Bernard, Richard Burke, and Caleb Whitefoord. c.u.mberland says he, too, wrote an epitaph; but it was complimentary and grave, and hence the grateful return he received. Mr. Forster considers Garrick's epitaph to indicate the tone of all. This, with the rest, was read to Goldsmith when he next appeared at the St. James's Coffee-house, where c.u.mberland, however, says he never again met his friends. But "the Doctor was called on for Retaliation," says the friend who published the poem with that name, "and at their next meeting produced the following, which I think adds one leaf to his immortal wreath."
"'Retaliation'", says Sir Walter Scott, "had the effect of placing the author on a more equal footing with his Society than he had ever before a.s.sumed."
c.u.mberland's account differs from the version formerly received, which intimates that the epitaphs were written before Goldsmith arrived: whereas the pun, "the late Dr. Goldsmith" appears to have suggested the writing of the epitaphs. In the "Retaliation", Goldsmith has not spared the characters and failings of his a.s.sociates, but has drawn them with satire, at once pungent and good-humoured. Garrick is smartly chastised; Burke, the Dinner-bell of the House of Commons, is not let off; and of all the more distinguished names of the Club, Thomson, c.u.mberland, and Reynolds alone escape the lash of the satirist. The former is not mentioned, and the two latter are even dismissed with unqualified and affectionate applause.
Still we quote c.u.mberland's account of the "Retaliation" which is very amusing from the closely circ.u.mstantial manner in which the incidents are narrated, although they have so little relations.h.i.+p to truth: "It was upon a proposal started by Edmund Burke, that a party of friends who had dined together at Sir Joshua Reynolds's and my house, should meet at the St. James's Coffee-house, which accordingly took place, and was repeated occasionally with much festivity and good fellows.h.i.+p. Dr. Bernard, Dean of Derry; a very amiable and old friend of mine, Dr. Douglas, since Bishop of Salisbury; Johnson, David Garrick, Sir Joshua Reynolds, Oliver Goldsmith, Edmund and Richard Burke, Hickey, with two or three others, const.i.tuted our party. At one of these meetings, an idea was suggested of extemporary epitaphs upon the parties present; pen and ink were called for, and Garrick, offhand, wrote an epitaph with a good deal of humour, upon poor Goldsmith, who was the first in jest, as he proved to be in reality, that we committed to the grave. The Dean also gave him an epitaph, and Sir Joshua illuminated the Dean's verses with a sketch of his bust in pen and ink, inimitably caricatured. Neither Johnson nor Burke wrote anything, and when I perceived that Oliver was rather sore, and seemed to watch me with that kind of attention which indicated his expectation of something in the same kind of burlesque with theirs; I thought it time to press the joke no further, and
"All mourn the poet, I lament the man.
"This I recollect, because he repeated it several times, and seemed much gratified by it. At our next meeting he produced his epitaphs... and this was the last time he ever enjoyed the company of his friends."
Will's Coffee-house, the predecessor of b.u.t.ton's, and even more celebrated than that coffee-house, was kept by William Urwin. It first had the t.i.tle of the Red Cow, then of the Rose, and, we believe, is the same house alluded to in the pleasant story in the second number of the _Tatler_. "Supper and friends expect we at the Rose."
Dean Lockier has left this life-like picture of his interview with the presiding genius (Dryden) at Will's.
"I was about seventeen when I first came up to town," says the Dean, "an odd-looking boy, with short rough hair, and that sort of awkwardness which one always brings up at first out of the country with one. However, in spite of my bashfulness and appearance, I used, now and then, to thrust myself into Will's to have the pleasure of seeing the most celebrated wits of that time, who then resorted thither. The second time that ever I was there, Mr. Dryden was speaking of his own things, as he frequently did, especially of such as had been lately published. 'If anything of mine is good,'
says he, "tis 'Mac-Flecno', and I value myself the more upon it, because it is the first piece of ridicule written in heroics.' On hearing this I plucked up my spirit so far as to say, in a voice but just loud enough to be heard, 'that "Mac-Flecno" was a very fine poem, but that I had not imagined it to be the first that was ever writ that way.' On this, Dryden turned short upon me, as surprised at my interposing; asked me how long 'I had been a dealer in poetry'; and added, with a smile, 'Pray, Sir, what is it that you did imagine to have been writ so before?'--I named Boileau's 'Lutrin' and Ta.s.soni's 'Secchia Rapita,' which I had read, and knew Dryden had borrowed some strokes from each. "Tis true,' said Dryden, 'I had forgot them.' A little after, Dryden went out, and in going, spoke to me again, and desired me to come and see him the next day. I was highly delighted with the invitation; went to see him accordingly; and was well acquainted with him after, as long as he lived."
Will's Coffee-house was the open market for libels and lampoons, the latter named from the established burden formerly sung to them:
_Lampone, lampone, camerada lampone._
There was a drunken fellow, named Julian, who was a characterless frequenter of Will's, and Sir Walter Scott has given this account of him and his vocation:
"Upon the general practice of writing lampoons, and the necessity of finding some mode of dispersing them, which should diffuse the scandal widely while the authors remained concealed, was founded the self-erected office of Julian, Secretary, as he called himself, to the Muses. This person attended Will's, the Wits' Coffee-house, as it was called; and dispersed among the crowds who frequented that place of gay resort copies of the lampoons which had been privately communicated to him by their authors. 'He is described,'
says Mr. Malone, 'as a very drunken fellow, and at one time was confined for a libel.'"
Tom Brown describes 'a Wit and a Beau set up with little or no expense. A pair of red stockings and a swordknot set up one, and peeping once a day in at Will's, and two or three second-hand sayings, the other.'
Pepys, one night, going to fetch home his wife, stopped in Covent Garden, at the Great Coffee-house there, as he called Will's, where he never was before: "Where," he adds, "Dryden, the poet (I knew at Cambridge), and all the Wits of the town, and Harris the player, and Mr. Hoole of our College. And had I had time then, or could at other times, it will be good coming thither, for there, I perceive, is very witty and pleasant discourse. But I could not tarry, and, as it was late, they were all ready to go away."
Addison pa.s.sed each day alike, and much in the manner that Dryden did. Dryden employed his mornings in writing, dined _en famille_, and then went to Will's, "only he came home earlier o' nights."
Pope, when very young, was impressed with such veneration for Dryden, that he persuaded some friends to take him to Will's Coffee-house, and was delighted that he could say that he had seen Dryden. Sir Charles Wogan, too, brought up Pope from the Forest of Windsor, to dress _a la mode_, and introduce at Will's Coffee-house. Pope afterwards described Dryden as "a plump man with a down look, and not very conversible," and Cibber could tell no more "but that he remembered him a decent old man, arbiter of critical disputes at Will's." Prior sings of--
The younger Stiles, Whom Dryden pedagogues at Will's!
Most of the hostile criticism on his Plays, which Dryden has noticed in his various Prefaces, appear to have been made at his favourite haunt, Will's Coffee-house.
Dryden is generally said to have been returning from Will's to his house in Gerard Street, when he was cudgelled in Rose Street by three persons hired for the purpose by Wilmot, Earl of Rochester, in the winter of 1679. The a.s.sault, or "the Rose-alley Ambuscade,"
certainly took place; but it is not so certain that Dryden was on his way from Will's, and he then lived in Long-acre, not Gerard Street.
It is worthy of remark that Swift was accustomed to speak disparagingly of Will's, as in his "Rhapsody on Poetry:"
Be sure at Will's the following day Lie snug, and hear what critics say; And if you find the general vogue p.r.o.nounces you a stupid rogue, d.a.m.ns all your thoughts as low and little; Sit still, and swallow down your spittle.
Swift thought little of the frequenters of Will's: "he used to say, the worst conversation he ever heard in his life was at Will's Coffee-house, where the wits (as they were called) used formerly to a.s.semble; that is to say, five or six men who had writ plays or at least prologues, or had a share in a miscellany, came thither, and entertained one another with their trifling composures, in so important an air as if they had been the n.o.blest efforts of human nature, or that the fate of kingdoms depended on them."
In the first number of the _Tatler_, poetry is promised under the article of Will's Coffee-house. The place, however, changed after Dryden's time: "you used to see songs, epigrams, and satires in the hands of every man you met, you have now only a pack of cards; and instead of the cavils about the turn of the expression, the elegance of the style, and the like, the learned now dispute only about the truth of the game." "In old times, we used to sit upon a play here, after it was acted, but now the entertainment's turned another way."
The _Spectator_ is sometimes seen "thrusting his head into a round of politicians at Will's, and listening with great attention to the narratives that are made in these little circular audiences." Then, we have as an instance of no one member of human society but that would have some little pretension for some degree in it, "like him who came to Will's Coffee-house upon the merit of having writ a posie of a ring." And, "Robin, the porter who waits at Will's, is the best man in town for carrying a billet: the fellow has a thin body, swift step, demure looks, sufficient sense, and knows the town."
After Dryden's death, in 1701, Will's continued for about ten years to be still the Wits' Coffee-house, as we see by Ned Ward's account, and by the "Journey through England" in 1722.
Pope entered with keen relish into society, and courted the correspondence of the town wits and coffee-house critics. Among his early friends was Mr. Henry Cromwell, one of the _cousinry_ of the Protector's family: he was a bachelor, and spent most of his time in London; he had some pretensions to scholars.h.i.+p and literature, having translated several of Ovid's Elegies, for Tonson's Miscellany. With Wycherly, Gay, Dennis, the popular actors and actresses of the day, and with all the frequenters of Will's, Cromwell was familiar. He had done more than take a pinch out of Dryden's snuff-box, which was a point of high ambition and honor at Will's; he had quarrelled with him about a frail poetess, Mrs.
Elizabeth Thomas, whom Dryden had christened Corinna, and who was also known as Sappho. Gay characterized this literary and eccentric beau as
Honest, hatless Cromwell, with red breeches:
it being his custom to carry his hat in his hand when walking with ladies. What with ladies and literature, rehearsals and reviews, and critical attention to the quality of his coffee and Brazil snuff, Henry Cromwell's time was fully occupied in town. Cromwell was a dangerous acquaintance for Pope at the age of sixteen or seventeen, but he was a very agreeable one. Most of Pope's letters to his friends are addressed to him at the Blue Hall, in Great Wild-street, near Drury Lane, and others to "Widow Hambledon's Coffee-house, at the end of Princes-street, near Drury-lane, London." Cromwell made one visit to Binfield; on his return to London, Pope wrote to him, "referring to the ladies in particular,"
and to his favorite coffee.
Will's was the great resort for the wits of Dryden's time, after whose death it was transferred to b.u.t.ton's. Pope describes the houses as "opposite each other, in Russell-street, Covent Garden,"
where Addison established Daniel b.u.t.ton, in a new house, about 1712; and his fame, after the production of _Cato_, drew many of the Whigs thither. b.u.t.ton had been servant to the Countess of Warwick. The house is more correctly described as "over against Tom's, near the middle of the south side of the street."
Addison was the great patron of b.u.t.ton's; but it is said that when he suffered any vexation from his Countess, he withdrew from b.u.t.ton's house. His chief companions, before he married Lady Warwick, were Steele, Budgell, Philips, Carey, Davenant, and Colonell Brett. He used to breakfast with one or other of them in St. James's-place, dine at taverns with them, then to b.u.t.ton's, and then to some tavern again, for supper in the evening; and this was the usual round of his life, as Pope tells us in Spencer's Anecdotes, where Pope also says: "Addison usually studied all the morning, then met his party at b.u.t.ton's, dined there, and stayed five or six hours; and sometimes far into the night. I was of the company for about a year, but found it too much for me; it hurt my health, and so I quitted it." Again: "There had been a coldness between me and Mr. Addison for some time, and we had not been in company together for a good while anywhere but at b.u.t.ton's Coffee-house, where I used to see him almost every day."
Here Pope is reported to have said of Patrick, the lexicographer, that "a dictionary-maker might know the meaning of one word, but not of two put together."
b.u.t.ton's was the receiving house for contributions to _The Guardian_, for which purpose was put up a lion's head letter box, in imitation of the celebrated lion at Venice, as humorously announced. Thus:
"N.B.--Mr. Ironside has, within five weeks last past, muzzled three lions, gorged five, and killed one. On Monday next the skin of the dead one will be hung up, _in terrorem_, at b.u.t.ton's Coffee-house."