Chapter 17
"I rather admire her, too," says Sir Guy, unwisely,--though he only gives way to this opinion through a wild desire to help out Lilian's judgment.
"Do you?" says that young lady, with exaggerated emphasis. "I shouldn't have thought she was a man's beauty. She is a little too--too-- demonstrative, too _p.r.o.noncee_."
"Oh, Guy adores fat women," says Cyril, the incorrigible; "wait till you see Florence: there is nothing of the 'meagre, gawky, hard' sort about her. She has a decided leaning toward _embonpoint_."
"And I imagined her quite slight," says Lilian.
"You must begin then and imagine her all over again. The only flesh there isn't about Florence is fool's flesh. It is hardly worth while, however, your creating a fresh portrait, as the original," glancing at his watch, "will so soon be before you. Guy, my friend, you should hurry."
Lilian returns to the balcony, whither Chetwoode's eyes follow her longingly. He rises reluctantly to his feet, and says to Cyril, with some hesitation:
"You would not care to go to meet Florence?"
"I thank you kindly,--no," says Cyril, with an expressive shrug; "not for Joe! I shall infinitely prefer a cigar at home, and Miss Chesney's society,--if she will graciously accord it to me." This with a smile at Lilian, who has again come in and up to the table, where she is now eating daintily a showy peach, that has been lying neglected on its dish since dinner, crying vainly, "Who'll eat me? who'll eat me?"
She nods and smiles sweetly at Cyril as he speaks.
"I am always glad to be with those who want me," she says, carefully removing the skin from her fruit; "specially you, because you always amuse me. Come out and smoke your cigar, and I will talk to you all the time. Won't that be a treat for you?" with a little low, soft laugh, and a swift glance at him from under her curling lashes that, to say the truth, is rather coquettish.
"There, Guy, don't you envy me, with such a charming time before me?"
says Cyril, returning her glance with interest.
"No, indeed," says Lilian, raising her head and gazing full at Chetwoode, who returns her glance steadily, although he is enduring grinding torments all this time, and almost--_almost_ begins to hate his brother. "The last thing Sir Guy would dream of would be to envy you my graceless society. Fancy a guardian finding pleasure in the frivolous conversation of his ward! How could you suspect him of such a weakness?"
Here she lets her small white teeth meet in her fruit with all the airs of a little _gourmande_, and a most evident enjoyment of its flavor.
There is a pause.
Cyril has left the room in search of his cigar-case. Lady Chetwoode has disappeared to explore the library for her everlasting knitting. Sir Guy and Lilian are alone.
"I cannot remember having ever accused you of being frivolous, either in conversation or manner," says Chetwoode, presently, in a low, rather angry tone.
"No?" says naughty Lilian, with a shrug: "I quite thought you had. But your manner is so expressive at times, it leaves no occasion for mere words. This morning when I made some harmless remark to Cyril, you looked as though I had committed murder, or something worthy of transportation for life at the very
"I cannot remember that either. I think you purposely misunderstand me."
"What a rude speech! Oh, if I had said that! But see how late it is,"
looking at the clock: "you are wasting all these precious minutes here that might be spent so much more--profitably with your cousin."
"You mean you are in a hurry to be rid of me," disdaining to notice her innuendo; "go,--don't let me detain you from Cyril and his cigar."
He turns away abruptly, and gives the bell a rather sharp pull. He is so openly offended that Lilian's heart smites her.
"Who is misunderstanding now?" she says, with a decided change of tone.
"Shall you be long away, Sir Guy?"
"Not very," icily. "Truston, as you know, is but a short drive from this."
"True." Then with charmingly innocent concern, "Don't you like going out so late?--you seem a little cross."
"Do I?"
"Yes. But perhaps I mistake; I am always making mistakes," says Miss Lilian, humbly; "I am very unfortunate. And you know what Ouida says, that 'one is so often thought to be sullen when one is only sad.' Are _you_ sad?"
"No," says Guy, goaded past endurance; "I am not. But I should like to know what I have done that you should make a point at all times of treating me with incivility."
"Are you speaking of me?"--with a fine show of surprise, and widely-opened eyes; "what can you mean? Why, I shouldn't dare be uncivil to my guardian. I should be afraid. I should positively die of fright,"
says Miss Chesney, feeling strongly inclined to laugh, and darting a little wicked gleam at him from her eyes as she speaks.
"Your manner"--bitterly--"fully bears out your words. Still I think---- Why doesn't Granger bring round the carriage? Am I to give the same order half a dozen times?"--this to a petrified attendant who has answered the bell, and now vanishes, as though shot, to give it as his opinion down-stairs that Sir Guy is in "a h'orful wax!"
"Poor man, how you have frightened him!" says Lilian, softly. "I am sorry if I have vexed you." Holding out a small hand of amity,--"Shall we make friends before you go?"
"It would be mere waste of time," replies he, ignoring the hand; "and, besides, why should you force yourself to be on friendly terms with me?"
"You forget----" begins Lilian, somewhat haughtily, made very indignant by his refusal of her overture; but, Cyril and Lady Chetwoode entering at this moment simultaneously, the conversation dies.
"Now I am ready," Cyril says, cheerfully. "I took some of your cigars, Guy; they are rather better than mine; but the occasion is so felicitous I thought it demanded it. Do you mind?"
"You can have the box," replies Guy, curtly.
To have a suspected rival in full possession of the field, smoking one's choicest weeds, is not a thing calculated to soothe a ruffled breast.
"Eh, you're not ill, old fellow, are you?" says Cyril, in his laziest, most good-natured tones. "The whole box! Come, my dear Lilian, I pine to begin them."
Miss Chesney finishes her peach in a hurry and prepares to follow him.
"Lilian, you are like a baby with a sweet tooth," says Lady Chetwoode.
"Take some of those peaches out on the balcony with you, child: you seem to enjoy them. And come to me to the drawing-room when you tire of Cyril."
So the last thing Guy sees as he leaves the room is Lilian and his brother armed with peaches and cigars on their way to the balcony; the last thing he hears is a clear, sweet, ringing laugh that echoes through the house and falls like molten lead upon his heart.
He bangs the hall-door with much unnecessary violence, steps into the carriage, and goes to meet his cousin in about the worst temper he has given way to for years.
Half-past ten has struck. The drawing-room is ablaze with light. Lady Chetwoode, contrary to custom, is wide awake, the gray sock lying almost completed upon her lap. Lilian has been singing, but is now sitting silent with her idle little hands before her, while Cyril reads aloud to them decent extracts from the celebrated divorce case, now drawing to its unpleasant close.
"They ought to be here now," says Lady Chetwoode, suddenly, alluding not so much to the plaintiff, or the defendant, or the co-respondents, as to her eldest son and Miss Beauchamp. "The time is up."
Almost as she says the words the sound of carriage-wheels strikes upon the ear, and a few minutes later the door is thrown wide open and Miss Beauchamp enters.
Lilian stares at her with a good deal of pardonable curiosity. Yes, in spite of all that Cyril said, she is very nearly handsome. She is tall, _posee_, large and somewhat full, with rather prominent eyes. Her mouth is a little thin, but well shaped; her nose is perfect; her figure faultless. She is quite twenty-six (in spite of artificial aid), a fact that Lilian perceives with secret gratification.
She walks slowly up the room, a small Maltese terrier clasped in her arms, and presents a cool cheek to Lady Chetwoode, as though she had parted from her but a few hours ago. All the worry and fatigue of travel have not told upon her: perhaps her maid and that mysterious closely-locked little morocco bag in the hall could tell upon her; but she looks as undisturbed in appearance and dress as though she had but just descended from her room, ready for a morning's walk.
"My dear Florence, I am glad to welcome you home," says Lady Chetwoode, affectionately, returning her chaste salute.