Chapter 35
ENGRAVING: SIDE VIEW OF THE "KOHO-AN" OF DAITOKU-JI, AT KYOTO
CHAPTER XXII
RECOVERY OF ADMINISTRATIVE AUTHORITY BY THE THRONE
The 69th Sovereign, the Emperor Go-Shujaku A.D. 1037-1045
70th " " Go-Reizei 1046-1068
71st " " Go-Sanjo 1069-1072
72nd " " s.h.i.+rakawa 1073-1086
73rd " " Horikawa 1087-1107
74th " " Toba 1108-1123
75th " " Sutoku 1124-1141
76th " " Konoe 1142-1155
77th " " Go-s.h.i.+rakawa 1156-1158
DECADENCE OF FUJIWARA AUTOCRACY
During two centuries the administrative power remained in the hands of the Fujiwara. They lost it by their own timidity rather than through the machinations of their enemies. When the Emperor Go-Shujaku was mortally ill, he appointed his eldest son, Go-Reizei, to be his successor, and signified his desire that the latter's half-brother, Takahito, should be nominated Crown Prince. Fujiwara Yorimichi was then regent (kwampaku). To him, also, the dying sovereign made known his wishes. Now Takahito had not been born of a Fujiwara mother. The regent, therefore, while complying at once in Go-Reizei's case, said that the matter of the Crown Prince might be deferred, his purpose being to wait until a Fujiwara lady should bear a son to Go-Reizei.
In thus acting, Yorimichi obeyed the policy from which his family had never swerved through many generations, and which had now become an unwritten law of the State. But his brother, Yos.h.i.+n.o.bu, read the signs of the times in a sinister light. He argued that the real power had pa.s.sed to the military magnates, and that by attempting to stem the current the Fujiwara might be swept away altogether. He therefore repaired to the palace, and simulating ignorance of what had pa.s.sed between the late sovereign and the kwampaku, inquired whether it was intended that Prince Takahito should enter a monastery. Go-Reizei replied emphatically in the negative and related the facts, whereupon Yos.h.i.+n.o.bu declared that the prince should be nominated forthwith. It was done, and thus for the first time in a long series of years a successor to the throne was proclaimed who had not the qualification of a Fujiwara mother.
There remained to the kwampaku only one way of expressing his dissent. During many years it had been customary that the Prince Imperial, on his nomination, should receive from the Fujiwara regent a famous sword called Tsubo-kiri (Jar-cutter). Yorimichi declined to make the presentation in the case of Prince Takahito on the ground that he was not of Fujiwara lineage. The prince--afterwards Go-Sanjo--had the courage to deride this omission. "Of what service is the sword to me?" he said. "I have no need of it."
Such an att.i.tude was very significant of the changing times. During more than twenty years of probation as Crown Prince, this sovereign, Go-Sanjo, had ample opportunity of observing the arbitrary conduct of the Fujiwara, and when he held the sceptre he neglected no means of a.s.serting the authority of the Crown, one conspicuous step being to take a daughter of Go-Ichijo into the palace as chugu, a position created for a Fujiwara and never previously occupied by any save a Fujiwara.
Altogether, Go-Sanjo stands an imposing figure in the annals of his country. Erudition he possessed in no small degree, and it was supplemented by diligence, high moral courage and a sincere love of justice. He also set to his people an example of frugality. It is related that, observing as he pa.s.sed through the streets one day, an ox-carriage with gold mountings, he stopped his cortege and caused the gold to be stripped off. Side by side with this record may be placed his solicitude about the system of measures, which had fallen into disorder. With his own hands he fas.h.i.+oned a standard which was known to later generations as the sens.h.i.+-masu of the Enkyu era (1069-1074). The question of tax-free manors (shoen) also received much attention. During the reign of Go-Shujaku, decrees were frequently issued forbidding the creation of these estates. The Fujiwara shoen were conspicuous. Michinaga possessed wide manors everywhere, and Yorimichi, his son, was not less insatiable. Neither Go-Shujaku nor Go-Reizei could check the abuse. But Go-Sanjo resorted to a really practical measure. He established a legislative office where all t.i.tles to shoen had to be examined and recorded, the Daiho system of State owners.h.i.+p being restored, so that all rights of private property required official sanction, the Court also becoming the judge in all disputes as to validity of tenure.
These orders came like a clap of thunder in a blue sky. Many great personages had acquired vast manorial tracts by processes that could not endure the scrutiny of the Kiroku-jo (registrar's office).
Yorimichi, the kwampaku, was a conspicuous example. On receipt of the order to register, he could only reply that he had succeeded to his estates as they stood and that no doc.u.mentary evidence was available.
Nevertheless, he frankly added that, if his t.i.tles were found invalid, he was prepared to surrender his estates, since the position he occupied required him to be an administrator of law, not an obstacle to its administration. This was the same n.o.ble who had refused to present the sword, Tsubo-kiri, to Go-Sanjo when the latter was nominated Crown Prince. The Emperor might now have exacted heavy reparation. But his Majesty shrank from anything like spoliation. A special decree was issued exempting from proof of t.i.tle all manors held by chancellors, regents, or their descendants.
SALE OF OFFICES AND RANKS
Another abuse with which Go-Sanjo sought to deal drastically was the sale of offices and ranks. This was an evil of old standing. Whenever special funds were required for temple building or palace construction, it had become customary to invite contributions from local magnates, who, in return, received, or were renewed in their tenure of, the post of provincial governor. Official ranks were similarly disposed of. At what time this practice had its origin the records do not show, but during the reign of Kwammu (782-805,) the bestowal of rank in return for a money payment was interdicted, and Miyos.h.i.+ Kiyotsura, in his celebrated memorial to Daigo (898-930), urged that the important office of kebiis.h.i.+ should never be conferred in consideration of money. But in the days of Ichijo, the acquisition of tax-free manors increased rapidly and the treasury's income diminished correspondingly, so that it became inevitable, in times of State need, that recourse should be had to private contributions, the contributors being held to have shown "merit" ent.i.tling them to rank or office or both.
Go-Sanjo strictly interdicted all such transactions. But this action brought him into sharp collision with the then kwampaku, Fujiwara Norimichi. The latter built within the enclosure of Kof.u.ku-ji at Nara an octagonal edifice containing two colossal images of Kwannon. On this nanen-do the regent spent a large sum, part of
ceases from to-day. Let every Fujiwara official follow me." Thereat all the Fujiwara courtiers flocked out of the palace, and the Emperor had no choice but to yield. Victory rested with the Fujiwara, but it was purchased at the loss of some prestige.
*t.i.tulary deity of the Fujiwara-uji.
CAMERA SOVEREIGNTY
Their obviously selfish device of seating a minor on the throne and replacing him as soon as he reached years of discretion, had been gradually invested by the Fujiwara with an element of spurious altruism. They had suggested the principle that the tenure of sovereign power should not be exercised exclusively. Go-Sanjo held, however, that such a system not only impaired the Imperial authority but also was unnatural. No father, he argued, could be content to divest himself of all practical interest in the affairs of his family, and to condemn the occupant of the throne to sit with folded hands was to reduce him to the rank of a puppet. Therefore, even though a sovereign abdicated, he should continue to take an active part in the administration of State affairs. This was, in short, Go-Sanjo's plan for rendering the regent a superfluity. He proposed to subst.i.tute camera government (Insei) for control by a kwampaku.
But fate willed that he should not carry his project into practice.
He abdicated, owing to ill health, in 1073, and died the following year.
s.h.i.+RAKAWA
Go-Sanjo was succeeded by his eldest son, s.h.i.+rakawa. He had taken for consort the daughter of Fujiwara Yorimichi. This lady, Kenko, had been adopted into the family of Fujiwara Morozane, and it is recorded that Yorimichi and Morozane shed tears of delight when they heard of her selection by the Crown Prince--so greatly had the influence of the Fujiwara declined. s.h.i.+rakawa modelled himself on his father. He personally administered affairs of State, displaying a.s.siduity and ability but not justice. Unlike his father he allowed himself to be swayed by favour and affection, arbitrarily ignored time-honoured rules, and was guilty of great extravagance in matters of religion.
But he carried into full effect the camera (or cloistered) system of government, thereafter known as Insei. For, in 1086, after thirteen years' reign, he resigned the sceptre to an eight-year-old boy, Horikawa, his son by the chugu, Kenko. The untimely death of the latter, for whom he entertained a strong affection, was the proximate cause of s.h.i.+rakawa's abdication, but there can be little doubt that he had always contemplated such a step. He took the tonsure and the religious t.i.tle of Ho-o (pontiff), but in the Toba palace, his new residence, he organized an administrative machine on the exact lines of that of the Court.
ENGRAVING: KO-NO-MA (ROOM) NIs.h.i.+ (WEST) HONGWAN-JI TEMPLE, AT KYOTO (An example of "Shoinzukuri" building)
Thenceforth the functions of Imperialism were limited to matters of etiquette and ceremony, all important State business being transacted by the Ho-o and his camera entourage. If the decrees of the Court clashed with those of the cloister, as was occasionally inevitable, the former had to give way. Thus, it can scarcely be said that there was any division of authority. But neither was there any progress.
The earnest efforts made by Go-Sanjo to check the abuse of sales of rank and office as well as the alienation of State lands into private manors, were rendered wholly abortive under the sway of s.h.i.+rakawa.
The cloistered Emperor was a slave of superst.i.tion. He caused no less than six temples* to be built of special grandeur, and to the princ.i.p.al of these (Hosho-ji) he made frequent visits in state, on which occasions gorgeous ceremonies were performed. He erected the Temple of the 33,333 Images of Kwannon (the Sanjusangen-do) in Kyoto; he made four progresses to the monastery at Koya and eight to that at k.u.mano; he commissioned artists to paint 5470 Buddhist pictures, sculptors to cast 127 statues each sixteen feet high; 3150 life-size, and 2930 of three feet or less, and he raised twenty-one large paG.o.das and 446,630 small ones.
*These were designated Roku-sho-ji, or "six excellent temples."
His respect for Buddhism was so extreme that he strictly interdicted the taking of life in any form, a veto which involved the destruction of eight thousand fis.h.i.+ng nets and the loss of their means of sustenance to innumerable fishermen, as well as the release of all falcons kept for hawking. It has even been suggested that s.h.i.+rakawa's piety amounted to a species of insanity, for, on one occasion, when rain prevented a contemplated progress to Hosho-ji, he sentenced the rain to imprisonment and caused a quant.i.ty to be confined in a vessel.* To the nation, however, all this meant something very much more than a mere freak. It meant that the treasury was depleted and that revenue had to be obtained by recourse to the abuses which Go-Sanjo had struggled so earnestly to check, the sale of offices and ranks, even in perpetuity, and the inclusion of great tracts of State land in private manors.
*This silliness was spoken of by the people as ame-kingoku (the incarceration of the rain).
TOBA
Horikawa died in 1107, after a reign of twenty years, and was succeeded by his son Toba, a child of five. Affairs of State continued to be directed by the cloistered sovereign, and he chose for his grandson's consort Taiken-mon-in, who bore to him a son, the future Emperor Sutoku. Toba abdicated, after a reign of fifteen years, on the very day of Sutoku's nomination as heir apparent, and, six years later, s.h.i.+rakawa died (1128), having administered the empire from the cloister during a s.p.a.ce of forty-three years.
As a device to wrest the governing power from the grasp of the Fujiwara, Go-Sanjo's plan was certainly successful, and had he lived to put it into operation himself, the results must have been different. But in the greatly inferior hands of s.h.i.+rakawa this new division of Imperial authority and the segregation of its source undoubtedly conspired to prepare the path for military feudalism and for curtained Emperors.
Toba, with the t.i.tle of Ho-o, took the tonsure and administered from the cloister after s.h.i.+rakawa's death. One of his first acts after abdication was to take another consort, a daughter of Fujiwara Tadazane, whom he made Empress under the name of Kaya-no-in; but as she bore him no offspring, he placed in the Toba palace a second Fujiwara lady, Bif.u.ku-mon-in, daughter of Nagazane. By her he had (1139) a son whom he caused to be adopted by the Empress, preparatory to placing him on the throne as Emperor Konoe, at the age of three.
Thus, the cloistered sovereigns followed faithfully in the footsteps of the Fujiwara.
SOLDIER-PRIESTS
A phenomenon which became conspicuous during the reign of s.h.i.+rakawa was recourse to violence by Buddhist priests. This abuse had its origin in the acquisition of large manors by temples and the consequent employment of soldiers to act as guards. Ultimately, great monasteries like Kof.u.ku-ji, Onjo-ji, and Enryaku-ji came to possess thousands of these armed men, and consequently wielded temporal power. s.h.i.+rakawa's absorbing belief in Buddhism created opportunities for the exercise of this influence. Keenly anxious that a son should be born of his union with Kenko, the daughter of Fujiwara Yorimichi, his Majesty bespoke the prayers of Raigo, lord-abbot of Onjo-ji. It happened that unsuccessful application had frequently been made by the Onjo-ji monks for an important religious privilege. Raigo informed the Emperor that, if this favour were promised, the prayer for a prince would certainly be heard. s.h.i.+rakawa made the promise, and Kenko gave birth to Prince Atsub.u.mi. But when the Emperor would have fulfilled his pledge, the priests of Enryaku-ji (Hiei-zan), jealous that a privilege which they alone possessed should be granted to priests of another monastery, repaired to the Court en ma.s.se to protest. s.h.i.+rakuwu yielded to this representation and despatched Oye no Masafusa to placate Raigo. But the abbot refused to listen. He starved himself to death, pa.s.sing day and night in devotion, and shortly after his demise the little prince, born in answer to his prayers, died of small-pox.
In an age when superst.i.tion prevailed widely the death of the child was, of course, attributed to the incantations of the abbot. From that time a fierce feud raged between Onjo-ji and Enryaku-ji. In the year 1081, the priest-soldiers of the latter set the torch to the former, and, flocking to Kyoto in thousands, threw the capital into disorder. Order was with difficulty restored through the exertions of the kebiis.h.i.+ and the two Minamoto magnates, Yos.h.i.+ye and Yos.h.i.+tsuna, but it was deemed expedient to guard the palace and the person of the Emperor with bus.h.i.+. Twelve years later (1093), thousands of cen.o.bites, carrying the sacred tree of the Kasuga shrine, marched from Nara to Kyoto, clamouring for vengeance on the governor of Omi, whom they charged with arresting and killing the officials of the shrine. This became a precedent. Thereafter, whenever the priests had a grievance, they flocked to the palace carrying the sacred tree of some temple or shrine. The soldier cen.o.bites of Enryaku-ji--yama-hos.h.i.+, as they were called--showed themselves notably turbulent. They inaugurated the device of replacing the sacred tree with the "divine car," against which none dare raise a hand or shoot an arrow. If their pet.i.tion were rejected, they would abandon the car in the streets of the capital, thus placing the city under a curse.
A notable instance occurred, in 1095, when these yama-hos.h.i.+ of Hiyos.h.i.+ preferred a charge of blood-guiltiness against Minamoto Yos.h.i.+tsuna, governor of Mino. They flocked to the palace in a truculent mob, but the bus.h.i.+ on duty, being under the command of a Minamoto, did not hesitate to use their bows. Thereupon the yama-hos.h.i.+ discarded the divine car, hastened back to the temple, and a.s.sembling all the priests, held a solemn service invoking the wrath of heaven on the State. In an age of profound superst.i.tion such action threw the Court into consternation, and infinite pains were taken to persuade s.h.i.+nto officials of an independent shrine to carry the divine car back to Hiei-zan.
Instances of such turbulence were not infrequent, and they account in part for the reckless prodigality shown by s.h.i.+rakawa in building and furnis.h.i.+ng temples. The cen.o.bites did not confine themselves to demonstrations at the palace; they had their own quarrels also.
Kof.u.ku-ji's hand was against Kimbusen and Todai-ji, and not a few priests doffed the stole and ca.s.sock to engage in temporary brigandage. The great Taira leader, Tadamori, and his son, Kiyomori--one of the most prominent figures on the stage of medieval j.a.pan--dealt strongly with the s.h.i.+nto communities at Hiyos.h.i.+ and Gion, and drove the Kof.u.ku-ji priests out of the streets of Kyoto, the result being that this great military family became an object of execration at Kof.u.ku-ji and Enryaku-ji alike. With difficulty the Court kept peace between them. It is related of s.h.i.+rakawa Ho-o that the three things which he declared to defy his control were the waters of the Kamo River, the fall of the dice, and the yama-hos.h.i.+.
ENGRAVING: PLAYING BATTLEDORE AND SHUTTLEc.o.c.k (From a painting)
CHAPTER XXIII